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Posted on Sustainabilitank.info on May 9th, 2013
from NYU School of Continuing & Professinal Studies – Global Affairs Division: scps.global.affairs@nyu.edu LEARN FROM THE EXPERTS Our faculty are practitioners and experts in their field. World Politics: Confrontation or Cooperatiion? (GLOB1-CE9284) Superstorm Sandy, NYC, and Climate Change (GLOB1-CE9023) The United Nations‘ Role in the War on Terror (GLOB1-CE9998) Howard Wachtel is a Franklin Fellow in the Political Section (Sanctions Unit) of the U.S. Mission to the United Nations in New York, where he focuses on the al Qaeda/Taliban, Cote d‘Ivoire, Sierra Leone, and Iraq sanctions regimes. During the course of the year, Howard will be monitoring each of these regimes, attending Security Council sanctions committee meetings, and contributing to the negotiation and drafting of Security Council resolutions related to each regime. He comes to the U.S. Department of State from Simpson, Thacher & Bartlett LLP, where he is a litigation associate. Mr. Wachtel is primarily responsible for USUN’s interaction with the Security Council on issues related to al-Qaeda/Taliban sanctions (the “1267 regime“). He is responsible for providing guidance and recommendations regarding the strategic direction of the 1267 regime, including new measures to address recent litigation challenging the regime and to ensure that the regime adapts to the evolving nature of the terrorist threat. Creating a Nonprofit in a Global Landscape: Brad Heckman is the founding Chief Executive Officer of New York Peace Institute, one of the nation’s largest community dispute resolution and mediator credentialing agencies. Previously, he served as Vice President of Safe Horizon, New York’s leading victims services and violence prevention agency. In that capacity, he oversaw the agency‘s Mediation, Families of Homicide Victims, Legal Services, Anti-Trafficking, Batterers Intervention, and Anti-Stalking Programs. Mr. Heckman served as International Director of Partners for Democratic Change, for which he developed community peacebuilding centers throughout Eastern Europe, the Balkans, South Caucasus, Latin America, and the former Soviet Union. He received NYU-SCPS’s Excellence in Teaching Award in 2012, and serves on the boards of the National Association for Community Mediation, the New York City Peace Museum, and the New York State Dispute Resolution Association. ================================== TODAY – LAST EVENT OF THE SEMESTER! In Print with James F. Hoge, Jr. Featuring Michael Levi, David M. Rubenstein Senior Fellow for Energy and the Environment and Director of the Program on Energy Security and Climate Change The Power Surge: Energy, Opportunity, and the Battle for America’s Future TONIGHT!
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Posted on Sustainabilitank.info on April 30th, 2013 When Mayor Bloomberg took over the day to day running of New York City, he cancelled all recycling programs because he thought their bottom line was in the red. Eventually he accepted the fact that paper recycling was suffering because there was actually theft of the paper put out for hauling by the city – so it was clearly profitable to move them to the recycler. He gave in, and only papers were recycled. Then he was told that metal and plastic containers have to be collected separately because there was no landfill space and hauling them out of State was a bigger loss then collecting them – so he decided to collect them in separate containers but they were never sorted out to become primary material for a world-wide growing recycling industry. Oh well – the latest news tell us that he decided before ending his third term in office to collect plastic. We still are not convinced that he saw the “City-Light” – that is the fact that running a city is a service and not a business. —————————————————————————————–
New York Times Editorial – April 30, 2013.
The Mayor Rethinks Recycling
By THE EDITORIAL BOARD
Published on-line: April 29, 2013
On recycling in New York City, Mayor Michael Bloomberg has come a long way. After taking office 11 years ago, Mr. Bloomberg eliminated a major chunk of the city’s recycling program to save money. Many New Yorkers were outraged. He was, they said, littering the earth as well as missing a chance to convert waste to energy.
Related: City Room: City Expands Recycling Program to Include Hard Plastics (April 24, 2013)
He has since become a passionate convert. With about 20,000 tons of garbage hauled from the city every day, Mr. Bloomberg has been working hard recently to restore the city’s recycling program to its pre-2002 levels. On Wednesday, he announced that any rigid plastics including toys, yogurt cups, food containers and such can finally go in clear recycling bags. It is the city’s biggest expansion in recycling in more than two decades. A day later, he announced that 100 restaurants in the city, ranging from the sophisticated Le Bernardin to the boisterous Chipotle eateries, have promised to start reducing their food waste by 50 percent. Some of it will be donated to food kitchens or charities like City Harvest. But a lot will go to commercial composting centers outside the city. There, the discarded leeks and potato peels can be turned into energy or compost that, ideally, could help farmers produce more leeks and potatoes. Tackling organic waste is a big task. Every year, the city adds mountains of watermelon rinds, coffee grounds and other organic plate scrapings to the waste stream. Most of it goes to landfills where it festers and sends methane pollution into the atmosphere. As alternatives, city officials are experimenting with organic recycling at 68 schools and one Manhattan apartment building. Green markets across the city accept bags of leftovers, and a new system of curbside recycling of organic garbage is scheduled to start soon in Staten Island. The city’s recycling rate has yet to reach the pre-Bloomberg level of 20 percent. But the mayor wants the city to reuse 70 percent of its waste by 2030. That’s a big challenge for his successors, but at least these latest efforts finally move in the right direction.
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Posted on Sustainabilitank.info on April 29th, 2013
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Posted on Sustainabilitank.info on April 28th, 2013 What the following article does not dare to mention – seemingly not to hurt the Koches – is that the troubles of the citi-opera – the high culture second New York City opera – the one that was created in order to give home to new experiments in opera, light opera/operettas, and musical theater – the kind of material that could not be put on the stage of the Meropolitan Opera – having lost two seasons at the time of reconstruction of the building – just could not afford it anymore – and one might even think that they were not to the Koch Brothers tastes.Now the information is as follows: The David H. Koch Theater is a building intended for theater and ballet, modern and other forms of dance, part of the Lincoln Center for the Performing Arts located at the intersection of Columbus Avenue and 63rd Street in New York City. Originally named the New York State Theater,[1] the house has been home to the New York City Ballet since its opening in 1964 – that did return to the renamed building. It also served as home to the New York City Opera from 1964 to 2011 – that did not return to the renamed building. The theater occupies the south side of the main plaza of Lincoln Center, opposite Avery Fisher Hall. Many in New York liked the look of the interior of the original building with the huge Promenade its two large statues by Elie Nadelman sculptuers and actually found nothing wrong with the building and its use. When the Lincoln Center’s decision to redo and rename the building – the decision was received with extreme alacrity by various organized groups.
The oil and gas money of the Koch Brothers serves to lubricate right wing policies in the US – among these also the Climate Change deniers – but then there is also a patina of art covering their name – the like of putting the Koch name next to Lincoln.
In July 2008, oil-and-gas billionaire David H. Koch pledged to provide $100 million over the next 10 years for the purpose of renovating the theater and providing for an operating and maintenance endowment. It was renamed the David H. Koch Theater at the New York City Ballet Winter gala, Tuesday, November 25, of that year. [2] The theater is to bear his name for at least fifty years, after which it may be renamed; the Koch family retains the right of first refusal for any renaming. {The Wikipedia} Also: Mr. David Koch is an executive vice president and a board member of Koch Industries, based in Wichita, Kan., and owns a diverse group of companies with more than $100 billion in revenues and 80,000 employees in nearly 60 countries. The companies’ brands include Stainmaster carpet, Lycra spandex, Quilted Northern tissue and Dixie cups and tabletop products. Koch Industries, founded in 1927 by Mr. Koch’s father, Fred, with a fleet of oil-delivery trucks, became the nation’s largest privately held company in November 2005, when it acquired the paper maker Georgia-Pacific for $13.2 billion. Born in Wichita, Mr. Koch earned bachelor’s and master’s degrees in chemical engineering at the Massachusetts Institute of Technology, to which he donated $100 million for cancer research in October. Other charitable donations have included $20 million to the American Museum of Natural History in 2006 for the David H. Koch Dinosaur Wing. That same year he promised $20 million to Johns Hopkins University’s medical campus in Baltimore, a gift that resulted in the new David H. Koch Cancer Research Building. Mr. Koch also serves as the board chairman and chief executive of the Koch Chemical Technology Group, a wholly owned subsidiary of Koch Industries, and on more than 20 nonprofit boards, including those of American Ballet Theater, the American Museum of Natural History and Memorial Sloan-Kettering Cancer Center. Mr. Koch’s home in Aspen, Colo., famous for its New Year’s Eve parties in his bachelor days, boasts trophies from big-game hunts with his father in Botswana and Mozambique. A pair of 130-pound Ugandan elephant tusks frames the dining room. He and his wife, Julia, have three children. Mr. Koch, a major contributor to the Republican Party and supporter of conservative causes, was the vice presidential candidate on the Libertarian ticket in 1980. In 2003 he helped establish the nonprofit Americans for Prosperity Foundation, which supports free-market policies and promotes government spending limits. It split off from an earlier Koch-backed enterprise, now called FreedomWorks, which promotes similar goals. In short – he is a most important financial backer of everything connected to the Tea Party. In recent years Mr. and Mrs. Koch have become fixtures on the New York social circuit. They were honored at the Metropolitan Museum of Art’s annual corporate benefit, at the Food Allergy Ball in 2005 and at the American Museum of Natural History in 2006. His taste in real estate made news in 2006 when, seeking more space for his family, Mr. Koch sold his apartment at 1040 Fifth Avenue, once owned by Jacqueline Kennedy Onassis, and moved to 740 Park Avenue, home to business titans like Ronald S. Lauder and Mr. Schwarzman. Mr. Koch said that he considered Mr. Schwarzman’s gift to the library an inspiration. “I admire people like that immensely — who have great wealth but are generous in terms of supporting worthy causes,” he said. ========================================================= www.nytimes.com/2013/04/27/arts/music/city-opera-might-do-best-at-city-center.html?pagewanted=1&_r=0&nl=todaysheadlines&emc=edit_th_20130427Critic’s Notebook
Why Not Have City Opera Go Home to City Center?
via New York City Center
The New York City Opera started at City Center in 1944. Above, the center in more recent years.
By ANTHONY TOMMASINI
Published in the New York Times : April 26, 2013
Last spring, reflecting on the completion of New York City Opera’s first season as an itinerant company bringing productions to the people in theaters throughout the city, George Steel, its general and artistic director, defended his decision to abandon Lincoln Center and argued that things were going well.
Wayne Tigges in New York City Opera’s “Moses in Egypt,” at City Center.
“We are playing to our strengths,” Mr. Steel said in an interview. Looking ahead to the 2012-13 season, he said that City Opera would be “out in the city with four brand-new productions of unusual works.” That, he asserted, “is what our audiences are interested in.” Maybe so. On Saturday night at City Center, the company presents the final performance of its fourth and last production of the 2012-13 season: the director Christopher Alden’s zany, slightly surreal and exhilarating staging of Offenbach’s operetta “La Périchole.” Say what you will about today’s City Opera being only a remnant of its former self, artistically Mr. Steel has delivered on his promise. This season he presented bold productions of four unusual works. At least three, including “La Périchole,” have been must-see events for operagoers in New York. “La Périchole” was the second consecutive production at City Center, the company’s birthplace, which it left in 1965 to take up residence in Lincoln Center, in what was then the New York State Theater (now the David H. Koch Theater). It felt like a homecoming to see the company on the City Center stage. The renovated City Center is now much more inviting and comfortable. And whatever they did to that theater improved the acoustics. It might make sense, and would certainly simplify things, for City Opera to move back there. Many challenges would be met if the company had a home. The season began in February at the Brooklyn Academy of Music with the director Jay Scheib’s dazzling staging of “Powder Her Face,” the 1995 debut opera by the audacious British composer Thomas Adès about the real-life sex scandal involving the Duchess of Argyll. Much of the buzz concerned the scene in which the mezzo-soprano Allison Cook, playing the Duchess, reflected on her sexcapades while some two dozen fully naked men casually strolled by. But the production also involved an inventive use of live videos, with a camera following characters to back rooms. For a week “Powder Her Face” was the most daring theatrical event in New York. The following week, also at the academy, was Britten’s “Turn of the Screw” in an updated production by the director Sam Buntrock, who gave a “Poltergeist” twist to this 19th-century tale of a governess who comes to the haunted house of two orphaned children under the care of an absent uncle. If this was the least adventurous offering, it was still a novel take on the opera, and the cast was terrific. The company’s return to City Center happened this month with a Rossini rarity, “Moses in Egypt,” a stirring biblical drama, in a production by Michael Counts that used arresting videos to depict night skies, desert landscapes and, in the final scene, the parting of the Red Sea. The opera world has been talking about the potential of video to make possible a new kind of old-fashioned spectacle. This production pointed a way. And now there is Mr. Alden’s manic “Périchole,” Offenbach’s comedy about a couple, struggling street singers in Peru, who become entangled with the country’s daffy viceroy. As played by the dynamic bass Kevin Burdette in this production, the viceroy is a demented, jittery and sex-crazed ruler in some vaguely modern realm that could be Miami Beach as much as Lima. So where does this leave City Opera for the future? Mr. Steel made inspired choices of works and directors. All four shows were artistically strong. But because City Opera must rent space and build each production to order, it had to crowd its offerings into concentrated periods of two weeks each: the first two at the academy in February; the second two at City Center this month, for a total of just 16 performances. This now seems to be the template for City Opera: to offer four productions each season with the hope of expanding in the future. To his credit, as Mr. Steel explained in a phone interview, for the first time in a decade City Opera has balanced its books. Its operating budget of about $12 million may not be much. But it pays the bills. When might the company extend its season? “As soon as we have the money,” Mr. Steel said, an answer that should reassure his board and patrons. Unlike any opera company that maintains a home, City Opera has no chance to coast, in a good sense, by regularly bringing back successful past productions. I am not just talking the distant past. What about productions Mr. Steel has presented since taking charge in 2009? I long to see again Mr. Alden’s revelatory production of Bernstein’s opera “A Quiet Place.” The time has come to end the debate over whether Mr. Steel’s decision to abandon Lincoln Center was a visionary move or an act of desperation. The old City Opera is no more. Those who do not remember the company from its days of decades ago can read about it in the conductor Julius Rudel’s new memoir, “First and Lasting Impressions,” written with Rebecca Paller. Mr. Rudel recounts his 22 years as City Opera’s director, not just the triumphs and adventures, but also the follies and backstage contretemps. From left, Marie Lenormand, Philippe Talbot, Kevin Burdette (in the chair) and Philip Littell in City Opera’s “Périchole.” It is amazing, though, to look at the archives of City Opera and see how many productions the company offered at its height. For example, during the 1969-70 season (the combined two-month fall and two-month spring seasons), the company presented 21 productions, not just lots of standard repertory, but things like Shostakovich’s “Katerina Ismailova” and Ginastera’s “Bomarzo,” for a total of 145 performances. During the interview Mr. Steel spoke of the company as having two main bases: the Brooklyn Academy and City Center. Yet each will be used only once next season. Mark-Anthony Turnage’s outrageous yet moving opera “Anna Nicole” will have its American premiere at the academy in September; Mr. Alden’s new production of Mozart’s “Marriage of Figaro” will play City Center in April 2014. Mr. Steel, who has a keen interest in overlooked 18th-century operas, will offer a true rarity, Johann Christian Bach’s “Endimione” in its American premiere at El Museo del Barrio in East Harlem, an intimate space ideal for Baroque works. And City Opera will present a co-production of Bartok’s “Bluebeard’s Castle” with St. Ann’s Warehouse in Brooklyn that will utilize the warehouse’s entire 13,000-square-foot space. All enticing. Yet as long as City Opera remains a roving company presenting a handful of productions in various theaters, it is going to be harder to cultivate a strong profile and build loyal audiences. Mr. Steel has a tenacious commitment to his vision of a traveling opera company. The truth is he may not see other options. If Mr. Steel and his board would like to settle down somewhere — and there are compelling arguments to do so — the place seems obvious: City Center, where “the people’s opera” opened its doors in 1944. ### | |||||||||||||||||
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Posted on Sustainabilitank.info on April 28th, 2013
Boston suspects’ mother in terrorism database since 2011Russia expressed concern Zubeidat Tsarnaeva and son Tamerlan were religious militants; FBI searches landfill near bomber’s universityApril 27, 2013.
This April 25, 2013 file photo shows Zubeidat Tsarnaeva, left, the mother of the two Boston bombing suspects, speaking at a news conference in Makhachkala, the capital of the southern Russian province of Dagestan. At right is her sister-in-law Maryam. (photo credit: AP Photo/Musa Sadulayev, File)
BOSTON (AP) — Boston Marathon bombing suspect Dzhohkar Tsarnaev was moved from a hospital to a federal prison medical center, while FBI agents searched for evidence Friday in a landfill near the college he was attending. Tsarnaev, 19, was taken from Beth Israel Deaconess Medical Center, where he was recovering from a gunshot wound to the throat and other injuries suffered during a getaway attempt, and transferred to the Federal Medical Center Devens, about 40 miles from Boston, the US Marshals Service said. The facility at a former Army base treats federal prisoners. ——————– and CNN writes about the statement by an unnamed US official: Russian authorities intercepted a communication in 2011 between the mother of the accused Boston Marathon bombers and someone who may have been one of her sons “discussing jihad,” a U.S. official with knowledge of the investigation told CNN’s Susan Candiotti.
The Russians turned over their intercept of the conversation — which the official described as vague — to the FBI only in the past few days, the official said. —————— and a Canadian Professor reviewing the stand at the UN of an American who has been seriously discredited in the past but continues to be employed by the UN:
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Posted on Sustainabilitank.info on April 16th, 2013 As reported by Irith Jawetz from the UN in New York City: Reception at the United Nations on the occasion of the 65th Anniversary On Monday, April 15th, 2013, which was actually the Day of Remembrance for the fallen soldiers The weather was beautiful and the view from the tent overlooking the East River was magnificent. The guests were mainly UN people, Ambassadors, staff members,media and leaders of the Jewish The band was an Israeli band who has performed for the Ambassador in the past and the main attraction Ambassador Prosor gave a short welcoming address. He started by expressing condolences to the victims Ambassador Prosor is known for his sense of humor he quoted Sir Winston Churchill, who is his role model – who once said: As an example for Israel’s innovative skills he introduced an Israeli company “Woosh” whose motto is - Woosh offers residents and tourists of major cities a revolutionary solution for purified and cool drinking water across the We took part at a demonstration of the Woosh water station and were presented with a bottle to take home. It was a very successful reception, incorporating fun, food, drinks, music, friendships and also a lesson in the environment.| ### |
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Posted on Sustainabilitank.info on April 8th, 2013
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Posted on Sustainabilitank.info on April 6th, 2013
Top News
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Posted on Sustainabilitank.info on April 4th, 2013 Dear Pincas, This year, the Climate Reality Project will conduct trainings around the world for the next generation of Climate Leaders, who will in turn become part of the Climate Reality Leadership Corps. Already, more than 4,000 Climate Leaders from 58 countries are educating people about the climate crisis and how we can solve it. I want to personally invite you to join this global community of change-makers. More than ever before, the climate crisis is creating a new reality for millions around the world. From Australian farmers losing their crops to bushfires, to New Yorkers rebuilding neighborhoods devastated by Superstorm Sandy, to crippling droughts throughout Central and Eastern Asia, Mexico and the Southwestern U.S. that are compromising the regions’ food security—the consequences of the climate crisis are growing more intense. Even as the severity of the climate crisis grows, many people don’t yet understand how it touches them personally or what they can do about it. In a three-day training, including sessions that I lead, Climate Leaders learn the latest climate science and best practices for connecting the dots between the facts about climate change and the daily lives of their audiences, in simple and accessible terms. They emerge as energized and skilled communicators with the knowledge, tools, and passion to educate and empower diverse audiences and communities to help solve the climate crisis. I invite you to become a part of this network. Click here to apply for our training in Istanbul in June or in Chicago in July. Together, we have an enormous opportunity to communicate the reality of climate change. With your help as a Climate Leader, we can do this person by person, family by family, and city by city. I have faith that when enough minds are changed, we will cross a threshold, and we can accomplish this goal together. Apply to join us today. Sincerely, Al Gore =================================================== Dear Pincas,
In order to win the fight to protect our climate, we have to change the climate in our government. Kick dirty energy money out of the State House in Albany Big Money from Big Polluters has polluted our democracy. The coal, fracking, and other big polluting industries have spent approximately $10 million since 2000 writing checks to politicians[1] to try to get their way. And just yesterday we get another huge scandal involving campaign finance in Albany and New York City.[2] Governor Cuomo and state legislative leaders have already expressed their desire to pass legislation that would fix these problems. Major newspapers have even said this is the next big fight in Albany.[3] But for our leaders to act, they need to hear from you that we are ready to stand up and fight for it. Tell our leaders — get money out of politics in Albany now! A coal-fired power plant or fracking well might give us asthma, heart attacks, or cancer. But the money those same polluters spend on politicians is just as damaging — causing gridlock in Albany, giving them permission to pollute more, and preventing New York from moving to the clean energy, 21st century economy that we deserve. Getting big money out means your voice, and the voice of other average New Yorkers, will be heard above the lobbyists and big donors. Fair Elections will transform how Albany does business by empowering small donors, lowering campaign contribution limits, ending lobbyists’ pay-to-play schemes, and encouraging stronger enforcement and transparency. Our leaders want to take the necessary next steps, but they need to hear you are behind them. Hundreds of you joined Michael Brune, Sierra Club executive director, and Governor Andrew Cuomo last month as they told New Yorkers how fair, citizen-funded elections can put environmental priorities on the level with the fracking lobbyists and corporate polluters. Dozens of other good government, labor, environmental and social justice organizations are collecting signatures on the same petition. Together we can make fair elections a reality. Thanks for all you do to protect the environment, Jennifer Tuttle P.S. After you take action, be sure to forward this alert to your friends and colleagues! References [1] National Institute on Money in State Politics, FollowtheMoney.org “Industry Influence – New York – Energy & Natural Resources Contributions to All Candidates and Committees 2000 – 2012“
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Posted on Sustainabilitank.info on March 30th, 2013 Bridging Cultures: Poetic Voices of the Muslim World • After over a year of planning and hard work by City Lore Director of Poetry Programs, Catherine Fletcher, City Lore is proud and excited to announce the launch of Poetic Voices of the Muslim World, a two-year initiative funded by NEH’s Bridging Cultures grant comprising programs and performances presented against the backdrop of a traveling exhibition and companion website, that will be presented in six cities across the country. www.Citylore.org Incorporating dialogue and performance, music and visual art to celebrate poetry of rare power and beauty — including ancient oral traditions still practiced today, literary forms that have flourished for more than a millennium and contemporary poetic arts — Poetic Voices of the Muslim World was developed in collaboration with national poetry library and literary center Poets House to fully explore the crucial role that poetry plays in Muslim cultures. The initiative opened in Los Angeles and Jacksonville, Florida, in March 2013; will move to Washington, D.C. and Milwaukee in September 2013; See the website (still in progress) and explore the exhibit here. ### |
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Posted on Sustainabilitank.info on March 29th, 2013
THE NEW YORK STOCK EXCHANGE IS INVOLVED IN A GLOBAL REPORTING INITIATIVE (GRI) - Reporting on Sustainability with a G4 in their sight or front line - G4 is GRI’s fourth generation of Sustainability Reporting Guidelines and is now in development. G4 is part of GRI’s commitment to the continuous development of its Guidelines. They say: The next generation of the GRI Guidelines – G4 – should address requirements for sustainability data, and enable reporters to provide relevant information to various stakeholder groups. It should also improve on content in the current Guidelines – G3 and G3.1 – with strengthened technical definitions and improved clarity, helping reporters, information users and assurance providers.The Information they talk about is non-financial information and it could be thus part of very positive intent, but we are not sure if it preaches also the importance of true financial reporting that includes the so called externalities – or the passing on of the true expenses on the public at large – these ought to be part of the financial implications that make up the value of a stock and ought not be covered by bamboozle. At this stage we can just say that we do not know what that G4 will be like and that we have no information about the first three generations of guidelines that this posting – as received – talks about. It looks to us like some gibberish that business is throwing at the innocents.
We did our research and found: ![]()
North-American G4 Campaign: The kick-off event at the New York Stock Exchange –
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April 11, 2013 |
Name:
Kick-off event GRI’s North American G4 Campaign at New York Stock Exchange – Master Class 1: GRI Refresher and G4 Update.
Date: April 11, 2013
Location: New York Stock Exchange, 11 Wallstreet, New York City, NY 10005, USA
Host: New York Stock Exchange and G4 Campaign sponsor HP
Description:
AGENDA
9.30 am – 10.30 am GRI Update by Mike Wallace and Marjella Alma on GRI’s Global Conference and G4 Campaign. Find out how you can join our official delegation!
10.30 am – 12.30 pm Master Class 1 – GRI Refresher and G4 Update – organized by GRI’s Certified Training Partner Deloitte featuring HP (reporter perspective) and Bloomberg (Sector Leader; data user perspective)
13.15 pm 25 of our GRI Organizational Stakeholders can join the CR Magazine’s 100 Best Corporate Citizen Announcements; email GRI to reserve your spot
4-5 pm CR Magazine Reception
Register here for 11 April, New York
Confirmed attendees
Addison
AT&T
Bloomberg LP
BPA Worldwide
Casazza Herman LLC
CECP
Context America
CRM Communications
Curran & Connors, Inc.
Deloitte
Donnelly Mechanical Corp
Ernst and Young
FMC Corporation
Framework LLC
General Motors Company
Global Development Solutions, LLC
Global Reporting Initiative (GRI)
Governance & Accountability Institute, Inc.
GRI Focal Point USA
HP
IFAC
ING U.S.
IRRC Institute
Lilium Consulting, LLC
Monsanto
Morgan Stanley
New York Stock Exchange
NYU-POLY – New York University that includes now also the former technically excellent Polytechnic Institute of Brooklyn.
Owens Corning
Renewthink Inc.
ROC One
SASB
Stewardship Action Council
SustainAbility
The Linley Company
The Mosaic Company
USGBC
W R Beer & Co.
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Posted on Sustainabilitank.info on March 28th, 2013
The Singularity Is Where?
Dialogue with Jason Silva & Daniel Pinchbeck www.facebook.com/ Tammany Hall
152 Orchard Street in Manhattan (212 228-7556)
March 30th at 7 pm
$10 advance/$15.00 door
Purchase Tickets Here: bit.ly/Wv4lu8
Evolver executive director and “2012″ author Daniel Pinchbeck meets National Geographic “Brain Games” series host and futurist Jason Silva to discuss the implications of the present, the meaning of the future, the destiny of technology, and the “far antipodes” of the mind. Will humans merge with super-intelligent machines? Will climate change force a rapid transformation of human society? Will shamanism and science converge in a new hybrid? Please join us for this unique conversation, followed by discussion with the audience.
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Posted on Sustainabilitank.info on March 28th, 2013
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Posted on Sustainabilitank.info on March 27th, 2013 We decided on this posting, not just because of the New York Times Op-Ed Article of today, but in effect we followed the subject watching the fate of Mayor Bloomberg’s efforts in New York to legislate the decrease of intake of sugar by his charges in the city – efforts that were overturned by a judge who thinks you cannot force people to do the right thing for themselves if this right thing harms the interests of the lobby of the sugar industry. We had a chance to talk about this in Vienna as well, and clearly agriculture interests here are just as opposed to get people to use less sugar, as their co-professionals in the US. But then last Saturday I had a chance to sit in at an Ayurveda class and learned about ethics and healthy food. The meeting was at the Sant Mat Center at Siebensterngasse 16a/2 in the 7th District – 1070 Vienna. Dr. Daniel Scheidbach was the speaker and a Text-book was on the table. ![]() www.santmat.at – www.ayurveda-akademie.org — www.yourdosha.at — are sights to get further information. The system here is that one has to enjoy his food and has to go about with ethics in choosing his food. The system is vegetarian plus milk. No meat, fish or foul or eggs are allowed. The vegetables are eaten cooked and not raw. The elements are Space, Air, Fire, Water, and Earth and our body has Vata, Pitta, and Kapha elements that describe our own nature. Bitter, Sour, Sweet, Salty are our tastes and they are determined by our nature. Each person will adjust his food to his nature and you have the license to eat whenever you feel hungry. Children start out as Kappa and can emerge. I got the feeling that the body is holy and you are supposed to enjoy the intakes. You eat breakfast, a main meal and in the evening before 6 PM – no snacks unless you are hungry. You take in one third solids, one third liquids and you leave one third for your VPK. You always make sure you drank enough. You never eat yogurt at night and you drink milk warm – not cold – and not plain but with Ghee. The best position for eating is Vastu – South East – that is where the sun power emanates. My purpose in bringing up this introduction is to show that it is not just the monotheistic Abrahamic religions that dealt with the relationship between our body as a Holy shrine and the food we take in – as such the following article becomes even more to the point. We must push back the forces of commercialism that make us overeat – this because we want to be healthy in mind and body. Power to Mayor Bloomberg who is out on his one man crusade to show the Americans that health care starts at home by opposing the media that makes us over-eat and obese, or alternatively bulimic and self starved. Kerstin and Mark Rosenberg have established the Ayurveda Yoga Academy at Birstein, Germany, and on April 6, 2013 will celebrate 20 years since the inroad this Yoga system made in Europe.
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Ayurveda Anwendungen Abhyanga Shirodhara usw www.gloriet-ayurveda.at
================================================= THE NEW YORK TIMES — OP-ED CONTRIBUTOR THE TALMUD AND OTHER DIET BOOKS Published: March 26, 2013 Related: “Anti-Bloomberg Bill” — Mississippi Bars Local Restrictions on Food and Drink (March 14, 2013) HARDLY a week goes by without yet another study documenting the increasing prevalence of obesity in America. Most of us take seriously the fact that close to 70 percent of American adults are now either overweight or obese, and most are willing to consider various ways to mitigate the problem. Perhaps a different approach can be considered, one that begins from within. Instead of fixating on indulgence and excess, as do so many top-down and outside-in efforts, we should focus on what it means for each individual to be sated. Satiety, the feeling of being satisfied, is inherently idiosyncratic: everyone has her or his own sensation of being full. What sates my hunger will be different from what sates yours. Nevertheless, what sates our hunger will be less than what you might imagine. The prophet Isaiah, for example, inveighed against the Israelites for vainly fasting when so much injustice surrounded them. Such fasting, and particularly fasting only for self-affliction, was sinful, rabbis of the Talmud said. But the Talmud also counseled “removing your hand from a meal that pleases you.” Christianity, especially through the teachings of Pope Gregory I and Thomas Aquinas, identifies gluttony as a mortal sin. More than just excessive desire for food, gluttony involves eating irregularly (snacking), being preoccupied with eating, consuming costly (sumptuous or unhealthy) foodstuffs and being fastidious about food. And the Koran insists that improper and wasteful eating incurs God’s wrath. Eat well and live well, Islam teaches. However absurd this may seem to us today, it made physiological sense in the premodern world as the emotions were considered physical things that, like food and drink, were metabolized by the body. A body stuffed with food and drink is full only of biology; it leaves no room for biography, for what makes us human. Of course, one need not be a theist to experience satiety. One needs only a belly. Perhaps these old ideas could inspire new ways of addressing the complex weight problem in America. They could help us reduce the amount of food we put on our plates, which would lower the tonnage of otherwise good food discarded every day. And they could mitigate the costly and debilitating diseases associated with our current eating practices. This approach is personalized: everyone is empowered to be in control of his own satiety. It is adaptable, changing as a person ages and ails. And although it is not exactly nonhierarchical if you believe it’s God’s will, at least it is not imposed by any human government. Finally, it is sustainable, as it promotes a culture that views limitless consumption with suspicion. Capitalism may abhor contentedness, but our bodies need us to heed it. We have to realize that enough is enough. We should stop asking ourselves, “Am I full?” and start asking, “Am I satisfied?” ——————————————- Jonathan K. Crane, a rabbi, is a professor of bioethics and Jewish thought at Emory University, Atlanta, Georgia.
Emory University is a private research university in metropolitan Atlanta, located in the Druid Hills section of unincorporated DeKalb County, Georgia, United States. Founded: 1836. It has a very good department for Judaic studies.
Address: 201 Dowman Dr, Atlanta, GA 30322
Acceptance rate: 26.7% (2011)
Enrollment: 13,893 (2011)
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Posted on Sustainabilitank.info on March 16th, 2013
NY Soda Ban Goes Down and Mississippi Passes Anti-Bloomberg Bill.
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Posted on Sustainabilitank.info on March 14th, 2013 Event at the Asia Society in New York – “The US and Asia in 2013: Challenges and Opportunit
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Posted on Sustainabilitank.info on March 9th, 2013
Since my return to Vienna about ten days ago, I witnessed the Erdogan negation at the Hofburg of the UN tooted Alliance of Civilizations but found two activities at the renovated Nestroyhof in Leopoldstadt – or Vienna’s ever multicultural former village – now the city’s second district that you cross on the way to the Vienna International Center (VIC) – home of the UN offices in Vienna (UNOV). Because of this I decided to dedicate a posting to the history of a theater in this area – no less – “THE PLACE” – HAMAKOM. Leopoldstadt
1020 Vienna, Austria. Leopoldstadt, Vienna and Brooklyn, New York are Sister-Districts like Sister-Cities – Both districts with large Jewish minorities in their history – in cities with powerful Jewish minorities at some point in their evolution – in Vienna it belongs rather to a glorious past-destroyed – that today’s city-hall is trying to revive. Jews that immigrated rather recently from East Europe reside in the Second District, while the remnant of the old timer, sand their descendants, live now in New York, and all over the world, and started to come back on visits – choosing hotels in the 2nd district.
————————————— HISTORY of a VIENNA Second District THEATER at the NESTROYHOF the HAMAKOM.
Stormy Years 1898 – 1938 On the ground floor of the Nestroyhof, an Art Nouveau rental building, designed and built in 1898 by Theodor Herzl’s friend and Zionist supporter, Viennese architect Oskar Marmorek, opened first the „Etablissement Nestroy-Säle“. The „Mazzes Insel“ (matzah island), long a Jewish residential and business district, was turn-of-the-century heart of a new epoch of Jewish theater. Yiddish language ensembles, cabarets and small theaters sprung up bringing the Jewish life of Vienna and Eastern Europe to the stage. Here they confronted the Viennese Kasperl (Punch & Judy) and Viennese Posse (Vaudeville) traditions, initiating a totally new style of theater, a multi-cultural counterpart to mainstream culture. The Theater in the Nestroyhof, became a potpourri showplace of a wide variety of theater groups and styles, contributing greatly to the internationality of modern metropolitan life in Vienna. After the „Etablissement Nestroy-Säle“ filed for bankruptcy the Varieté theater „Folies Comiques“ opened its portals, presenting among others, Karl Kraus’ “Trianon” theatre troupe with the Austrian premiere performance of Franz Wedekind’s „Pandora’s Box“. Later, Theater “Reklame” added a cinema in a further tract of the building and a bar („Tanzbar Sphinx“) opened in the theater’s cellar. The bar and cinema remained in business until the fall of Stalingrad in 1942. From 1904 to 1918 the „Intimes Theater“, a small literary theater led by Emil Richter-Roland and Oscar Friedmann produced Austrian premieres of Gorki, Strindberg, and Maeterlinck and later French comedies produced by Emil’s wife Josefine. Performances in the Nestroyhof were periodically forbidden by state censors during political crises. Jakob Goldfliess led the „Jüdische Künstlerspiele“ in Nestroyhof from 1927 – 1938, and as anti-Jewish restrictions grew increasingly focused his program on themes of anti-Semitism. He presented famous Yiddish language actors and ensembles and touring groups such as the „Jüdisch-Akademischen Theaters“ from Moscow, the “Budapestern” and the Hebrew language “Habima”. Lost Years 1938 – 1997 In 1938 the „Jüdische Künstlerspiele“, along with the rest of the Viennese and European Jewish theater world, fell victim to Nazi persecution. The property was aryanized in 1940 (Arianization is the genteel word used for stealing Jewish property, or applying pressure to get it for ridiculously low prices in parallel with seeing the Jews disappear), and taken over by the industrialist Polsterer family. Restitution procedures in 1956 led to a, today still debated, out of court, settlement between the descendants of the building’s rightful owner, Anna Stein, and the Polsterer family, who still maintain possession of the property today. The war-damaged building was renovated in 1955 and the onetime theater space served a succession of commercial tenants, most recently housing a supermarket until 1997. Upon their vacating of the premises, the drop ceiling and plasterboard walls installed in adapting it for commercial use were removed, revealing the magnificent theater structure hidden below. Ironically this temporary misuse of the theater led ultimately to its preservation. Rediscovery of the Theater 2004-2007 Rediscovery inspired a row of cultural initiatives in attempts to re-establish the theater in the Nestroyhof as a cultural and artistic center. Theater groups and cultural organizations presented performances, art exhibitions and events dealing with themes of Diaspora, racism and social exclusion. The unclear situation of tenancy, lack of direction and inconsistent profile made long-term planning impossible. Towards the end of 2007, the Polsterer family was again setting sights on the theater’s commercial value and on halting all cultural activities in the space. New Initiative 2008 A new privately funded initiative by theater director Frederic Lion (who’s Theater Transit, staged, et. al., the production „Abendfüllend“ by Antonio Fian, in 2006 in Nestroyhof), begun in May 2008, managed to obtain an open-ended lease, thus saving the space from an imminent return to misappropriate commercial use. Under the direction of Frederic Lion, the group Theater Nestroyhof Hamakom developed a concept for the total use of the space and its long term reactivation within the Viennese theater landscape. This concept won the support of the city of Vienna’s Cultural Bureau for September 2009 to December 2013. The initiative is working towards the realization of a lasting and necessary restoration of the theater structure.
Conception The history of the Theater in the Nestroyhof has been a century of repeated contestation of its right of existence. Even in its current fragile condition, scarred by abuse, deterioration and destruction, the theater space contains a spirit and energy which inspires artists with confidence, strength and fantasy. Its tragic heritage and historical grandeur, aesthetic and spatial presence reveal a topos, awakening enthusiasm and fantasy in searching for traces of the past and recounting stories of the present. Under the direction of Frederic Lion and his team, the Theater Nestroyhof Hamakom has chosen this location in the urban village of Vienna’s second district as a performance platform for social friction, diverse fields of thought and movements happening in Vienna and anywhere. The projects will be aligned along the fissures of the current global human and cultural interaction and movement, exclusion and delimitation, remembrance and identity, flight and asylum. The place, Theater Nestroyhof, in all its manifestations, real and imagined, is not a spiritual ghetto; as for every theater, its strength has always lain in its limitless ability to free itself. The Nestroyhof name, with its longstanding tradition, has been embellished by the Hebrew word “ha makom”, meaning “the place.” This expression includes a transcendental form of remembrance and spiritual localization that inspires an exciting pursuit of possibilities to expand and abolish existing borders. ______________________ TEAM Direction Production, office management Dramaturgy
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Posted on Sustainabilitank.info on March 8th, 2013 Googling for “What If: Imagining the Habsburg Monarchy as Today’s Center of the World” I got the following links on page 1. The idea seems fascinating and not farfetched and it serves as a title of a new book that is being presented by Central European and Germanic institutions in New York City. Considering that the Austro-Hungarian Empire was in effect a multicultural United Nations of its time – it is fascinating to think what it could have meant as an example for today’s European Union and even the UN. We were flabbergasted finding ourselves in the google list – reference # 4 as we also ask – what if the rather benevolent Habsburgian Dictatorship would have survived and become a model for empire building that allows for the benefits of multiculturalism as an ideal Alliance of Civilizations? What if? What if? This question is the central theme of the book in German titled Der Komet, written by Hannes Stein, and published by Galiani in Berlin, Germany. What if the Austrian Archduke Franz Ferdinand had not been shot in Sarajevo? What if the 20th century had never existed? What if the house of Hapsburg still existed today? What if Auschwitz had just been a railway junction in Galicia? What if the Germans had not started two World Wars and organized the largest genocide in history but had settled the moon instead? What if Lenin had died in Zurich as an unknown journalist?
“Absurd and believable, strange and ridiculous, sophisticated and surprising, wonderful and bizarre, hilarious and tragic, completely unconventional: a fabulous book dealing with a fantastic world in which you lose yourself in its obliqueness” – Vea Kaiser Hannes Stein (born 1965 in Munich) grew up in Salzburg. He studied English and American studies as well as philosophy in Hamburg. After spending a long time in Israel, Stein immigrated to the US where he currently lives in Riverdale. He worked as a journalist for various German newspapers and magazines (FAZ, Spiegel, Cicero, Merkur) and has been the editor of “Literarische Welt” in Berlin. At present, he works as cultural ——
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Theater Nestroyhof – Hamakom • Nestroyplatz 1 • 1020 Wien • T +43 1 8900 314 • F +43 1 8900 314 – 15 • contact@hamakom.at DER KOMET
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BUCHPRÄSENTATION - MARCH 17, 2013, 7 PM Der Schlüsselsatz dieses Buches findet sich ziemlich weit hinten, gesprochen wird er anno 1914, am 28. Juni, vom österreichischen Thronfolger. Er lautet „I bin doch ned deppat, i fohr wieder z´haus“. Sprach‘s, kehrte auf dem Absatz um, und ging samt leicht verletzter Gattin zurück nach Wien. Grade waren sie in Sarajewo beim Weg in die Stadt von einem Attentäter mit einer Bombe beworfen worden, die gerade noch einmal abgewehrt werden konnte – möglichen weiteren Angriffen wollte er sich und seine geliebte Frau nicht aussetzen. Hätte er dies damals wirklich so gemacht, wäre es nie zu dem zweiten Attentat am selben Tag gekommen und die Welt könnte so aussehen, wie sie es in Hannes Steins Debütroman tut. Es gab keinen ersten Weltkrieg und damit auch keinen zweiten, einen ‚kalten‘ solchen natürlich erst recht nicht. Seit Jahrzehnten herrscht Friede auf der Welt (von einigen japanischen Aggressionen gegen asiatische Anrainerstaaten abgesehen). Amerika ist ein unterentwickelter Kontinent, der weitgehend von Cowboys und Hinterwäldlern besiedelt ist. Technische Neuerungen gehen in aller Regel von Deutschland aus, einem weitgehend charmefreien doch hocherfolgreichen Land der Erfinder, Bastler und Tüftler: eine Art Strebernation im europäischen Staatsklassenzimmer. Frankreich, die Schweiz und San Marino sind die einzigen Republiken, der Rest Europas ist solide in der Hand uralter Monarchien. Wien wiederum, wo Hannes Steins Der Komet spielt, ist das ziemlich behäbige Zentrum der westlichen und damit der ganzen Welt (denn in den britischen, französischen und deutschen Kolonien tut sich nicht viel), eine Stadt voller Juden und Psychoanalytiker und natürlich einem Monarchen – Seiner Kaiserlichen und Königlichen Majestät, Franz Joseph II. In dieser Szenerie lässt Hannes Stein seinen jungen und etwas tumben Protagonisten Alexej von Repkin eine Liaison mit einer verheirateten Gesellschaftsdame eingehen, deren Mann gerade auf dem Mond weilt (eine deutsche Kolonie, auf der der Österreicher aber in seiner Eigenschaft als k.u.k Hofastronom arbeiten darf). Die Nachrichten allerdings, die er von dort sendet, sind dramatisch. Ein Komet rast auf Kollisionskurs auf die Erde zu. Voraussichtlicher Einschlagtermin: Mitte September 2001. ### |
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Posted on Sustainabilitank.info on March 2nd, 2013
Discussion by Hannes Stein (cultural correspondent for Welt), in conversation with Martin Rauchbauer (Director of Deutsches Haus at NYU).
DEUTSCHES HAUS AT NYU 42 Washington Mews. All events take place at the Deutsches Haus unless otherwise noted. Tel.: 212.998.8660 www.nyu.edu/deutscheshaus ### |


















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Tuesday was supposed to be a day of celebration for New York Mayor Michael Bloomberg when the new limits he proposed on big, sugary drinks (aka the soda ban) were supposed to take effect. Yet, on Monday, a judge blocked the proposed ban, calling it “arbitrary and capricious” and making many New Yorkers happy knowing that large soda drinks are not going anywhere. At least not for now.




