|
Posted on Sustainabilitank.info on September 2nd, 2008
Kinky Friedman, The Jewboys Band and guest - doing “I am only an ass—- from El Paso.”
*** It turns out that we already wrote about Kinky back in 2006. See please: Posted on Sustainabilitank.info on October 23rd, 2006 *** Richard S. Friedman: Born: November 1, 1944 (age 64) Chicago, Illinois Residence Medina, Texas Nationality American Other names Kinky Occupation Singer Known for Music, Texas gubernatorial election Political party - Independent Religious beliefs - Judaism Parents: Thomas (Tom) Friedman as a child worked for a pedlar who sold potatoes (”Kartoffel”) to the immigrants on West Chicago. Then, before Kinky was born, he was drafted and piloted a bomber in WWII. Eventually he took his family to Texas to live on a farm, and turned into a teacher of speech - eventually as Dr. S. Thomas Friedman he became Professor at the Austin University. That is what brought Kinky to Texas. Kinky is a member of the Jewish Tau Delta Phi fraternity. After graduation from the University of Austin, Friedman served two years with the Peace Corps on the island of Borneo in Malaysia. He has been featured in the news including 60 Minutes on CBS and made an appearance as one of Jay Leno’s guests. Friedman lives at Echo Hill Ranch, the family’s summer camp near Kerrville, Texas that was built by his father Tom. He also founded “Utopia Animal Rescue Ranch,” the mission of which is to care for stray, abused and aging animals; more than 1,000 dogs have been saved there from animal euthanasia. *** See also: Texas gubernatorial election, 2006
In 2004, Friedman began a serious, though colorful, campaign to become the Governor of Texas in 2006. One of his stated goals is the “dewussification” of Texas. Among his campaign slogans are “How Hard Could It Be?”, “Why The Hell Not?”, “My Governor is a Jewish Cowboy” and “He ain’t Kinky, he’s my Governor”. Friedman had hoped to follow in the footsteps of other entertainers-turned-governors, including Jimmie Davis, Jesse Ventura, Arnold Schwarzenegger, and Ronald Reagan. When the campaign finance reports came out after the second quarter had ended, Friedman had raised more funds than the Democratic nominee, former Congressman Chris Bell. On election day, November 7, Friedman was defeated by a wide margin, having received less than 13% of the state’s votes in the five-candidate match-up. *** Issues and positions:
Friedman is opposed to the Trans-Texas Corridor since it relies on toll road construction. He feels that the TTC is a land grab of the ugliest kind, with land being taken from hard-working ranchers and farmers in little towns and villages all over Texas. On capital punishment, he previously summed up his position, “I am not anti-death penalty, but I’m damn sure anti-the-wrong-guy-getting-executed”. More recently, he has clarified his position: “The system is not perfect. Until it’s perfect, let’s do away with the death penalty”. On illegal immigration, Kinky wants to increase the number of Texas National Guard troops on the border (from the current 1,500 to 10,000), impose $25,000 and $50,000 fines on companies that hire illegal immigrants and require foreign nationals seeking employment to purchase a foreign taxpayer ID card once they have passed a criminal background check. “Texas can no longer wait for our federal government to solve our illegal immigration problem,” Friedman said. “These are steps that Texas can immediately take to help stem the tide of illegal immigrants penetrating our border.” Had he been elected, he had promised to meet regularly with Governors Bill Richardson (New Mexico) and Janet Napolitano (Arizona) to develop a coordinated border state plan to supplement federal efforts to curb illegal immigration. Previously, Kinky put forth the “Five Mexican Generals” Plan, to pay Mexican officials to halt immigration on their side of the border. Although he originally stated “When I talk about the five Mexican generals, people think I’m joking but I’m dead serious”, Friedman later told the Dallas Morning News that the plan, never meant to be carried out, was a joke with an element of seriousness. According to his official Web site - http://www.kinkyfriedman.com/issues/faq…. - Friedman’s answer to the question “How does Kinky feel about abortion?” is “Kinky believes in a woman’s right to choose.” In person, he hedges his bet, saying “I’m not pro-life, and I’m not pro-choice. I’m pro-football”. On social issues he has supported gay marriage, answering an Associated Press reporter’s question on the subject on Feb. 3, 2005, “I support gay marriage. I believe they have a right to be as miserable as the rest of us” (Friedman himself is not married). According to Cigar Aficionado magazine, Friedman plans to roll back “any and all smoking bans” if elected. One of his favorite quotes comes from Mark Twain: “If smoking is not allowed in heaven, I shall not go”. Friedman supports the decriminalization of marijuana, though he doesn’t advocate making its sale legal. “I’m not talking about like Amsterdam,” he noted, “We’ve got to clear some of the room out of the prisons so we can put the bad guys in there, like the pedophiles and the politicians”. Further, Kinky Friedman is in the cigar business - Hand Made KINKY FRIEDMAN CIGARS. It turns out that one of the members of his musical group, Little Jewford, is also CEO of the company. Future political plans: In an August 23, 2007 interview with the Fort Worth Star-Telegram, Friedman stated that if he did run in 2010, he would run as a Democrat, citing that “God probably couldn’t have won as an independent”. *** At the BBKing performance, “Kinky Friedman and The Jewboys” said and sung - some of the following: Hear O Israel - yes indeed - I am glad God is a Texan - I am a Texan Jew. Late one night in a labor town I got to chose - here’s to you my rambling boy. I am 63 years old - too young for medicare, and too old for women care. I wanted to be a politician - Governor of Texas. I was not even indicted yet. I had been given ideas by Molly Ivens - a slogan - “Why in Hell Not I?” - “Why the Hell Not I?” Coming to politics he made a remark worthy of that day: “Gustav” was not a hit - a disappointment to most cable viewers in America. About himself: “I would sign anything, but bad legislation.” About Governor Perry’s election: “When nobody votes you get a ribbon-cutter Governor like Governor Perry - He has done nothing yet.” Then he told a story about someone remarking outdoors - “See - That is a beautiful statue of Governor Perry” - I looked at him and said -” But This Is Governor Perry.” The Southern Willie Nelson told Kinky - Criticize them as much as you want - but don’t circumcise them anymore.” About the the Texas folks he had a nice story about a visit to a mission in San Antonio and a large crucifix where people come to pray. He saw there someone who seemed to be a very well to-do fellow. He addressed Jesus for help. “Jesus please, help me, the oil wells are running low, the cattle are thin, the grass does not grow, the IRS is after me.” Then a little Mexican comes by and says - Jesus help me - “I have eight children, my wife is pregnant and sick, I work hard and do not make ends meet.” The First fellow pulls out a $100 bill and gives it to the Mexican - “take this little fellow and don’t bother Jesus much.” Texas is #50 in health coverage. He also said that a pastor told him - “if you don’t love Jesus go to hell. In Glasgow and Scotland they know us better then we do. They see in us the Indians and cowboys. We live to close to the Pyramids to see ourselves right. The last time everything was ALL RIGHT was August 14, 1945 - that was the day Japan surrendered. His band - “The Jewboys” included one Jew and one Lebanese and he said on his long cooperation with the Lebanese - “we are probably the only two who still speak in the Middle East.” There was also a guest performer who sang one single song about El Paso. Permalink | ### |
Printer Friendly
|
Posted on Sustainabilitank.info on August 16th, 2008 WIP on our website means WORK (WRITING) IN PROGRESS - or simply unfinished article. When finished the WIP will be taken off but the article will stay in place without the UPDATED designation. Nevertheless, theses introductory lines will remain as a reminder that the article had a long birth. *** The meeting, August 15, 2008 was chaired by the Ambassador For Palau. Present were also the Ambassadors from Nauru and from Fiji. Many other Missions were represented - some of these missions have representatives on the working committee. Involved are also some of the active NGOs. At present the sponsors of a resolution to be brought before the UN General Assembly are 11 from among the 14 Pacific Small Island Developing States - Fiji, Marshall Islands, The Federated States of Micronesia, Nauru, Palau, Papua New Guinea, Samoa, Solomon Islands, Tonga, Tuvalu, Vanuatu; the Maldives and Seychelles from non-Pacific SIDS; Canada, the Philippines from among larger States. But these 15 States will pick up many more co-sponsors. Mentioned were Turkey, the EU, Austria and Iceland that have expressed their eagerness to join. There is no opposition we were told - but only some hesitation because it is seen as a new approach to the problem of the humanitarian impact of climate change that goes on already - this while in major UN institutions the debate has not led yet to action. The inhabitants of the small islands of the Pacific are the first to lose their habitat - and what we see is the eradication of UN Member States by this predictable catastrophe. On our website we announced this encounter between the proponents of the resolution and the NGOs: Posted on Sustainabilitank.info on August 15th, 2008
by Pincas Jawetz (PJ@SustainabiliTank.com)We also pointed out the topically relevant event at the Lincoln Center’s “Mostly Mozart Festival” when Lemi Ponifasio’s REQUIEM had its two evenings before a New York audience.The history of this special effort by the Pacific SIDS started on February 15, 2008, in a speech by Ambassador Stuart Beck of Palau, before the UN General Assembly:http://www.palauun.org/news_archive.cfm?news_id=189 NEW YORK, NY, www.islandsfirst.org February 15, 2008 — Addressing the General Assembly of the United Nations at the High Level Debate on Climate Change, H.E. Stuart Beck, Permanent Representative of the Republic of Palau, citing the “life or death” nature of sea-level rise for the world’s island nations, urged the Security Council to utilize its powers under Chapter VII of the UN Charter to address this threat to member states by imposing mandatory greenhouse gas emission standards on all member states, and utilizing the power to sanction, if necessary, to encourage compliance with such standards. He said:
The full text of Ambassador Beck’s remarks at the UN Climate Change debate is as follows: “Mr. President, esteemed colleagues, friends: The waters continue to rise in Palau, and everywhere else. Salinization of fresh water and formerly productive lands continues apace. The reefs, the foundation of our food chain, experience periodic bleaching and death. Throughout the Pacific, sea level rise has not only generated plans for the relocation of populations, but such relocations are actually in progress. Though this litany of disasters has become well known in these halls, no action with remedial consequences has been taken. Larger countries can build dikes, and move to higher ground. This is not feasible for the small island states who must simply stand by and watch their cultures vanish. Is the United Nations simply powerless to act in the face of this threat to the very existence of many of its member states? We suggest that it is not. Last April, under the Presidency of the United Kingdom, the Security Council took up the issue of climate change. At that time, while there were some expressions of discomfort with the venue of the debate, a discomfort which we decidedly did not share, there was general agreement with the notion expressed by the President of the Security Council, UK Foreign Minister Margaret Beckett that climate change is a threat to “our collective security in a fragile and increasingly interdependent world”. Islands are not the only countries whose existence is threatened. Ambassador Kaire Mbuende of Namibia characterized climate change as a “ a matter of life or death” for his country, observing that “ the developing countries in particular, have been subjected to what could be described as low-intensity biological or chemical warfare. Greenhouse gases are slowly destroying plants, animals and human beings.” Speaking on behalf of the Pacific Island Forum at last years Security Council debate Ambassador Robert Aisi, of Papua New Guinea observed that climate change is no less a threat to small island states than the dangers of guns and bombs to larger countries. Pacific Island countries are likely to face massive dislocations of people, similar to flows sparked by conflict, and such circumstances will generate as much resentment, hatred and alienation as any refugee crisis. Ambassador Aisi observed then, and we reiterate now, that it is the Security Council which is charged with protecting human rights and the integrity and security of States. The Security Council is empowered to make decisions on behalf of all States to take action on threats to international peace and security. While we applaud the efforts of the President of the General Assembly and the Secretary General to shine a light on this awful problem, we take this opportunity to respectfully call upon the Security Council to react to the threat which we describe. Would any nation facing an invading army not do the same? Under Article 39 of the Charter, the Security Council “shall determine the existence of any threat to peace…and shall make recommendations…to maintain or restore international peace or security”. We call upon the Security Council to do this in the context of climate change. Under Articles 40 and 41 of the Charter, it is the obligation of the Security Council to “prevent an aggravation of the situation” and to devise appropriate measures to be carried out by all States to do this. While we Small Island states do not have all the answers, we are not unmindful of the scientific certainty that excessive greenhouse gas emissions by states are the cause of this threat to international security and the existence of our countries. We therefore suggest that the Security Council should consider the imposition of mandatory emission caps on all states and use its power to sanction in order to encourage compliance. We further propose that under Article 11 of the Charter, the General Assembly is empowered to call to the attention of the Security Council “situations which are likely to endanger international peace and security” and, at the appropriate time, we will call upon this body to do so. In the event that the General Assembly chooses not to avail itself of this right, then we will call upon the countries whose very existence is threatened to utilize Article 34 of the Charter, which empowers each Member State to bring to the attention of the Security Council any issue which “might lead to international friction”. Our Charter provides a way forward. Our Security Council has the wisdom and the tools to address this situation. And while we debate, the waters are rising. Thank you.” Permalink | ### |
|
Posted on Sustainabilitank.info on August 12th, 2008 The “Mostly Mozart” New York City Lincoln Center Summer Festival has become a New York City annual staple. For years it is also connected to the name of the theater director Peter Sellars who would bring in, or create, some special event as part of this festival. Years ago he did this sort of work in Purchase, Westchester County, New York, just outside the city where he staged new insights into Mozart Operas - but since moved these activities to the main location of the city. Jane Moss is the Artistic Director, and to her credit that she pulled in Peter Sellars who here, as in other locations in the world, including Vienna, Austria, has become an acknowledged ferment for creativity. These activities may have only remote connection to Mozart - but he somehow manages to find some link to the culture underneath Mozart’s art. But please, do not look for Mozart’s music in some of these events. In any case - please remember that this REQUIEM was created by invitation of the 2006 Vienna Celebration of the 250th year Anniversary of Mozart’s Birth and the director for these events was Peter Sellars. *** This Year, in the summer of 2008, July 29 - August 23, 2008 - “Mostly Mozart came up with two such events. Both, as the vast majority of the Festival’s events are imports: (a) REQUIEM, an event created in Vienna, that was now seen in New York for two evenings only, Friday August 8th and Saturday August 9th, and a discussion between Peter Sellars and Lemi Ponifasio, the creator, choreographer, and designer of the event on the opening night’s afternoon. (b) LA PASSION DE SIMONE, that was actually directed by Peter Sellars, and can be attended Wednesday August 13th, Friday August 15th, and Sunday August 17th, with two discussions open to the public on August 13th - a pre-concert discussion with Finnish composer Kaija Saariaho, and August 15th - a post-concert discussion with all those involved in the production. This event is about the personal voyage of Simone Weil with text by the Paris-based Lebanese writer Armin Maalouf. We are happy to be able to note this show here as we hope to create some interest among our readers to go to see this show. We are sorry that we were not able to bring pre-event information in the case of REQUIEM. Before moving on to REQUIEM I would like to mention that when I looked up on the internet the term “Simone Weil” I found to my astonishment, that the best material is in German, French or Spanish - nothing very enlightening in English. so I decided to post the short biography that on the english Wikipedia is posted in German - “Simone Weil wuchs in einer großbürgerlichen jüdischen Familie in Paris auf, ihr Bruder André wurde ein berühmter Mathematiker. Am Lycée war sie Schülerin von Alain. Sie studierte an der École Normale Supérieure Philosophie und wurde danach (1931) Mittelschullehrerin in der französischen Provinz. In diesen Jahren - sie arbeitete eine Zeit lang als Fabrikarbeiterin bei Renault - und bis zu ihrem kurzen Einsatz im Spanischen Bürgerkrieg (wo sie auf der Seite der Anarcho-Syndikalisten in der “Kolonne Durruti” kämpfte) war sie politisch aktiv. Ab 1936 traten für sie religiöse Fragen in den Vordergrund, wobei sie zuvor Atheistin war. Sie näherte sich dem Katholizismus an und ließ sich möglicherweise sogar kurz vor ihrem Tod taufen, nicht offiziell von einem Priester, aber - gültig - von einer Freundin. Von der Taufe im Londoner Krankenzimmer vor der Abreise nach Ashford berichtet zwar 1989 Georges Hourdin in seiner Biographie (Simone Weil) und teilt einen Briefwechsel mit Pater Perrin und Simone Deitz mit, in den Aufzeichnungen Simone Weils, die sie bis kurz vor ihrem Tod weitergeführt hat, findet sich allerdings kein Hinweis. Zeit ihres Lebens litt sie an schwersten, oft unerträglichen Kopfschmerzen. Wegen der deutschen Besetzung Frankreichs floh sie zunächst nach Marseille, 1942 in die USA und anschließend nach England, wo sie Mitglied des Befreiungskomitees Charles de Gaulles wurde. Sie starb an Magersucht, wobei nicht sicher war, ob sie durch die starken Kopfschmerzen magersüchtig wurde.” *** First, let me introduce the background material that was handed out at the August 8th discussion:
To show what a large scope this REQUIEM has, as I understood it, I would like to mention that the positions taken by its author when explaining what we will be going to see in his answers to Peter Sellars - in above discussion, served me also in my reporting that day on the opening of the Olympics: http://www.sustainabilitank.info/category/china#6593 In that article I already tackled the essence of the discussion under: Posted on Sustainabilitank.info on August 9th, 2008 I will add here that like in all art, the real creation in art is in the eye and mind of the viewer. What we see is merely the raw material that creates the vision, feelings , and understanding in our minds. As such - different people will say they saw, or interpreted what they saw, in very different ways. As such, even though Lemi Ponnifasio laid out before us various aspects of what we will watch in his ceremonial approach to life (mind you - he made it clear that the Pacific islanders are not actors and this is not a show) different people will still see in it different things. In my previous comments in the “China” article I mentioned the standing poles that are there as the center-pieces of a house/home without walls - my friend saw in it at a later stage the symbol of smoke stacks that come with electricity-generation turbines that pollute the air, that creates the loss of the life on these islands, that is therefore the loss of the culture, and it becomes thus the Requiem to a Requiem where the second Requiem in this statement is actually the remembrance of the culture that is gone, so that the Mozartean Requiem is the resurgence of the memory of life. I saw above in the discussion, but my friend added to it the smoke-stack symbolism that her “American” mind added to his “Samoan” interpretation. Both these things do not appear in other reviews I picked up from the press desk the following day - then again, this does not bother me at all - some of the viewers did still see this as art despite the fact that Lemi Ponifasio is imploring us to accept that this is a ceremonial of life and death - the death of not just individuals - but of whole cultures. Individuals in that culture do not die. They continue to be with us because those cultures transcend the physicality of death. Yes, in China the dead’ ashes may sit in an urn - right there on the mantle-piece, but the islanders have no mantle-piece and do not need the ashes as symbol that the passed-on did not pass away. He is just not seen by the naked eye but is felt - this how the people of Kiribas (Kiribati) feel their old islands even when they live now in New Zealand - the host country that agreed, in gallantry to accept in their midst the climate change/global warming refugees from the sinking islands of the Pacific. How right are those at the UN who look at the climate change/global warming induced destruction, starting first with the Pacific islands and extending then to the low-lands of countries like Bangladesh, and continuing to cities like New Orleans and Miami Beach, as threats to World Security and Peace. Global Warming refugees will not be accepted easily like in this case where New Zealand stepped in to help. New Zealand is Aotearoa - the Europeans that came to live in new Zealand found there the Maori who are Pacific Islanders and made a pact with them to live in peace. The New Zealanders of European descent, who since became the large majority in the two main islands of New Zealand, do not mind now to see this immigration of Maori-alike people and the enhancement of this aspect of the islands culture. After all - this is an enrichment that eventually will benefit all - even those that will still try to cling to the memories of the “old country.” People like Ponifasio understand that there is a need to compromise, after all, he takes his ceremonial before paying audiences that regard it as theatre. He will try to educate them by explaining that there is a quantum-jump difference here. But he will compromise nevertheless so his 24 members of his MAU get a way of making a living - even though they will also enhance visions of people ready to see beyond what their eyes trick them to see. www.SustainabiliTank.info saw in the various slow actions on the stage, birds, fishes, people that have a loss of habitat. Starting with the chest self-pounding of the Maori heroes, we move to see the moaning climate-victims. We watch to the end how the mats on the floor are neatly folded away as the floor of the ground is going under-water. The reality of space is still there - the two pillars that define the space do not tumble down - but simply are renegotiated and the people leave. This was a fascinating 90 minutes I spent watching that stage and old memories came back to my mind. These were memories of the end of the sixties and seventies when the new off-off Broadway was born. I saw there the staging of Robert Wilson on the life and times of personalities - the likes of Stalin or Sigmund Freud at the Brooklyn Academy of Music (BAM). The very slow dragging action leading to tremendous impacts left behind. I remembered Richard Schechner’s lectures at NYU, and his involvement with the La Mama theater - his talks about Shamanism as the birth of theater. I saw later some of what he was talking about in places like New Zealand, Australia, Turkey, South Africa. I felt like seeing now some of these real things - right here in New York - and low and behold - it was about effects of global warming - I hope I was able to convey some of it in this posting. One comment about Richard Schechner that I must add here - this because I learned this fact only after posting the China Olympics piece: “In March 2005, the Richard Schechner Center for Performance Studies was inaugurated as part of the Shanghai Theatre Academy, where Schechner is an Honorary Professor. With The Performance Group, Schechner directed many productions including “Dionysus in 69″ based on Euripides’ The Bacchae (1968 production)” The second half of this relates obviously to the “Bacchae” which was the first piece of the Lincoln Center Summer festival 2008 that we posted on www.SustainabiliTank.info. I hope that someone from our theatre-art intelligentsia could do a comparison between that 1968 production and the 2008 production. Then it was about the shamanic aspect in the Bacchae celebration - now we end up seeing a late women-liberation and self-destruction aspect. To put it nicely - Schechner had then his feet more solidly on the ground and the years since did not serve us well. Permalink | ### |
|
Posted on Sustainabilitank.info on August 9th, 2008 Coincidentally, I started to read yesterday morning a new book by Dmitry Orlov titled - “Reinventing Collapse.” The book was released by New Society Publishers www.newsociety.com and was sent to me by Perseus Distribution of Jackson Tennessee. Dmitry Orlov was born and grew up in Leningrad, and came first to the US in 1985 and after 10 years started going back and forth so he says - hehasbecome a witness to the changes in Russia. Orlow is an engineer who worked in high-energy Physics and in Internet Security. He came under our cross-hairs when it turned out that he is also a leading Peak Oil theorist. But this is not why I am mentioning him today. The reason is much deeper then that. Dmitry Orlov writes that when he came back to the US in 1996, after a longer stay in Russia where he just got married, but also said that at the time he started to understand the reasons why the Soviet Union collapsed - and horror - he started to see that the US had already at that time all the symptoms of the same disease that did in the Soviet Union. He writes that he came back with his wife to make for themselves a new life in the US, but he also started to write about his insights that made him see that the second shoe will drop eventually - that is the US after the Soviet Union - two very different States - but nevertheless two States with similar destinies because they suffer from very similar malaise. His description of the ingredients of a super-power collapse are as follows: (a) A severe and chronic shortfall in the production of crude oil; (b) A severe and worsening trade deficit, (c) A runaway military budget and (d) Ballooning foreign debt. When such a soup starts boiling, then “the heat and agitation” are provided by (e) a fear of a humiliating military defeat, and (f) wide spread fear of a looming catastrophe. He looks then at all of those ingredients that existed in the Soviet collapse - that was an internal collapse - an implosion I would say. He laughs at the thought that it was caused by outside influences, stemming from the actions of the US, except for the fact that the Soviets fell for the arms race of the “star-wars” competition that caused them further exhaustion. On the other hand, he sees all these ingredients in the present state of the US, and he watched these aspects grow during the last decade. Orlov looks at Chernobyl as the backdrop of catastrophe that sent off the Soviet Union, and sees the need of oil in order to grow food in the US - at the tune of ten calories of fossil fuels to produce one calorie of food - this, and runaway foreign foreign debt, leading to the decrease in credibility of US monetary instruments - killer hurricanes and global climate upheaval - become the US fear of catastrophe. The eventual reason for the drop of the second shoe. I only mention here these morning thoughts - I will be getting back to this book later and write a book review. Now I intend to touch on another incomplete activity I found myself involved in yesterday. *** This was a “Pre-Concert Discussion” of the “Mostly Mozart” Lincoln Center Festival presentation of “REQUIEM.” Yesterday was the US premiere, but I will be seeing the show only tonight. All what I did was to sit in at the discussion between the Festival’s Director Peter Sellars, and Lemi Ponifasio, a Samoan living in Auckland, New Zealand, who is the Director/Choreographer/Designer of this Requiem. Again, this writing of mine is a half backed attempt, and not yet a finished review of the show. This will come later. But now what I want to say here is that all such words as “Director,” “Choreographer,” “Designer,” “Show,”"Review,” were actually knocked out of my head last evening, because I realized that we really are totally incapable of understanding the mind of those that do not think like us. Interesting, Peter Sellars, remarked in a even larger context - “in our age - the commentator on the Op-Ed page presumes to understand everything - we will see that it is not as simple as that.” My mention of Orlov’s look at history showed me how trite it is to think that the US led to the collapse of the Soviet Union, and that the US is safe because it thinks of itself as a democracy. Now, Lemi, and the movement of MAU in Samoa, and his troupe, that adopted the MAU name for their collective, are really no actors at all, according to how they see themselves. In effect they will be involved in CEREMONIES that come to them naturally - something that is not just a CELEBRATION - and this requiem is not a memorial for the dead - this because they are not dead at all - they are here with them - so it is as if there were a communal living with these unseen members of the community present. We will look in a future review at this as a “Requiem to Requiem” where the idea of a Requiem, in the second time it is mentioned in this comment, becomes sort of a synonim to culture, life, an island, an environment. Then the first mention of Requiem in the remark is the more accepted meaning. MAU is the name of the Samoan independence movement that took on the Germans, French, Dutch, and British. The meaning is Vision or Revolution. The activities of the MAU troupe serve “to energize dialogue and revive local oriented histories, arts, thought, languages, and narratives that have been silenced or excluded.” In those Pacific Islands a house is not a home where you close in your belongings like in a storage - their concept is that this is a space for life and all are invited. There is always a standing pole in their culture - this pole gives you sort of a vertical feel of space and you and all your ancestors reside there. We will see that eventually this home without walls becomes the whole island and its sufferings. To be true to our www.SustainabiliTank.info website, I will add that Lemi and Peter also touched on the problems of global warming that threaten the demise of cultures like Kiribas (Kiribati). So, will we someday have to try our own hand at this kind of Requiem when remembering the independent indigenous cultures of these Small Islands Independent States of today - the SIDS of the Pacific? This is the extent of how far I am ready to go here. *** Now, with the above two snippets, in my head, let me say that I sat down before my TV set to watch the NBC, Channel 4, reporting from Beijing, that was handled by NBC as if it was just an excuse to sell us ExxonMobil trying to sell us that they take on “the largest energy challenges of the World.” I was amazed when after that an NBC journalist actually added “while you watched the advertisements China advanced several hundred years in its history.” I hope they will not fire him for this remark. GE spoke of biogas technology and that was fine, but Chevy Silver was trying to impress us with their miserable 20 mpg technology. Oh! Yes - we also saw John McCain bashing Obama in the campaign well paid advertisement - and we thought that at least this night we can forget about the US Presidential non-debate. This Chinese Coming-Out event was all about HARMONY. We watched the Tai-Chi performers and were told of Harmony between Man & Nature as the only chance for Sustainable Development for China and the rest of the World for next generation - and we said AMEN. When this is resolved there will be prosperity and environmentalism. You do not have to be naive and embrace China’s government, or take for granted the smiles on the faces of all the participating dancers and musicians. It was too uniform and large to be taken at face value - but there was enough there to say that it was an honest attempt to say - look - we suffered in our history from what others did to us - but we are a sleeping giant that is now showing - yes - we can and we will. China showed us that they are much closer to the MAU mentality now then they are to their previous MAO mentality. Yes, the legions of dancers and musicians were militarily trained. Their performance perfect, thus in some way threatening, but the content of their show was so we appreciate what they have given to the world - ink and paper for those believing in the needs of the press, and the compass for those in search of direction. Navigation is the means of communication with the great world, and they had their own naval chiefs of the caliber of a Christopher Columbus. These performers did not hate us - they CELEBRATED their return to the world stage, and this was their CEREMONY. After this show, China and us will never be the same. Just think of the fact that they reminded us that there were days China had the highest GNP in the world. We saw some of their ghosts, and we saw some of our ghosts. We saw Confucius, and yes, we remembered how it was members of the Atlantic community that committed them to opium enslavement. It was not said - but I knew it was somewhere there in that huge mat, center stage, on the floor of the stadium. Money is no problem, they bought the best architectural minds to work with their own best, and created the greatest venue for a global event. Pity that parts of the show were missed by us because of the commercialism of US TV world. We saw how some foreign leaders, like Putin, that did not smile, President Bush looked at his watch, we wondered why President Peres of Israel, who is secular, had to make the gesture of going on foot back to his hotel because of the Sabbath, but then these were not China’s problems that day. OK, now, I finished the Friday events. On Saturday morning I rushed to pickup the papers. The opening of the Olympics was really not the main set of news. That debatable honor went to Russia’s attack inside Georgia, and to the John Edwards attack on the US political system by having endangered the Democratic Party’s chances for meaningful change in Washington. I really have little to say about Edward’s male infidelity - that should have been left to be solved between him and his wife, but we know that this is not US reality. Such events can sink the US, as it happened in the Bill Clinton days. Clinton’s Presidency was decreased in potency, to the detriment of the American Nation, by some self appointed ethical judges who, as we know by now, some of them had much worse transgressions in their closets. What the US does not have is that vertical space the man from Samoa was talking about. There is no ceremonial thinking in our system - only raw hunt after the culprit who may have sinned much less then we did. And when the US is in decline, while China is on the rise - now we have things to think about - not so? And don’t forget - China holds the strings to the US treasury and Orlov made his unforgivable observations. As for the second news of the day - Putin moving on Georgia - that is tough for the Georgians but again, Putin is back in the oil-saddle and is flush with money too. In effect, we believe that he came to Beijing not as a teacher, but now he comes to Beijing as a student. He has learned from the Chinese that if you put your economy in better shape, outsiders and your own people as well, will criticize you less on human rights and other transgressions. He did not smile on TV, and he knows what his intent is now. So, what does Dmitry Orlov think of the opening of the Olympics and the near certainty that China will take over the Super-power manttle after the drop of what he described as the second shoe? Then, to remind us that change may not be as smooth as some may hope for, two American Olympic tourists were just stabbed while visiting the Drum Tower in the center of Beijing - reasons yet unknown. ***
Permalink | ### |
|
Posted on Sustainabilitank.info on July 18th, 2008
The exhibit will stay on view until Thursday July 31, 2008. The work is deeply political and we found here even the word “sustainability.” We will show three of the panels: (1)
On top of the panel it says:” VIETNAM FROM CLENCHED FISTS TO GREASED PALMS.” (2) This one mentions the SALE OF GASOLINE but is about the problems in Haiti. It is from 1994 and is built on top of a New York Times article in the October 21, 1993 issue. (3) This work is from 1996-97 and titled: The American City - HENRI AND FRIENDS (circa 1970) - that is like in Henry Kissinger. Melvin Charney seems to be preoccupied with the return of the people from the suburbs to a new inner city because of the fact that the old one could not be sustained. He talks of new energy for which he choses renewables. His mention of the gasoline and the fact that his work can promote renewable energy, makes him part of the new editorialists that are part of the Al Gore movement. Permalink | ### |
|
Posted on Sustainabilitank.info on July 18th, 2008
The piano player, composer, and political commentator, Gerardo Martinez Argibay. But these were two terrific events: a concert in the mirrored room of the Park Avenue mansion, and the outdoor dance - both nothing less then gifts to New York and its mix of people. OK, the Americas Society event was restricted by space, but the outdoor event at $15/pair of legs was in overflow condition with lots of people dancing outside the official enclosure. The great thing about the orchestra was the fact that it is made up of 10 young people that set out to preserve one of the thr |
