Salaryman-turned-activist keeps island nation Tuvalu in the picture.

By NATSUKO FUKUE
Staff writer, Japan Times online, November 22, 2008

Tanned and relaxed, 42-year-old Shuichi Endo has set himself a monumental task: Photograph 10,000 residents of the tiny Pacific nation of Tuvalu, nearly the entire population.

Island girl: Fatogea Matagale eats fresh fish just caught in the sea of Funafuti Island in April 2007. She told photographer Shuichi Endo, “I am happy whenever I play a kick-the-can game with my friends. I wish to make more friends.” COURTESY OF SHUICHI ENDO

He started the project last year to draw attention to the impact global warming is having on the islanders. So far, he has taken pictures of 1,001 people on Nukulaelae and Niutao islands.

“Tuvaluans are happy every day. I don’t know if we are happy every day. It would be horrible if Tuvalu sinks into the sea because of carbon dioxide emitted from our unhappy economic life,” said Endo, who runs the nonprofit organization Tuvalu Overview, which offers lectures and exhibitions on Tuvalu and organizes eco-tours there.

His photographs capture people in their ordinary activities, surrounded by nature. He believes Japanese people could change their lifestyle if only they could take a lesson from the simple, happy life led by the islanders.

His photographs are being displayed until Dec. 11 at Shinozaki Bunka Plaza in Edogawa Ward, Tokyo, near the west exit of Shinozaki Station on the Toei Shinjuku Line.

Tuvalu, consisting of four low-lying reef islands and five atolls that lie about halfway between Hawaii and Australia, could disappear if the ocean continues to rise due to global warming.

According to a 2007 report by the Intergovernmental Panel of Climate Change, the average sea level could go up as much as 59 cm in 2100 compared with 2000.

Endo said people in Tuvalu began to feel the environmental impact of rising sea levels about 10 years ago. There is more flooding at high tide, for example, which leaves groundwater and crops damaged by salt, he said.

Environment groups such as Greenpeace and the World Wide Fund for Nature warn global warming could have serious consequences, including frequent floods and storm surges, for low-lying Pacific islands, and the extreme weather could devastate the fishing and agriculture that dominates their economies.

Before starting the NPO, Endo was a typical salaryman, working long hours in a competitive environment.

After graduating from the architecture department of Osaka University of Arts, he landed a job at Taisei Corp., one of Japan’s most prominent general contractors.

He said he wanted to make environment-friendly buildings, as he had also studied environmental issues in school, but his colleagues told him there was no money in this.

He learned about Tuvalu a few years after joining Taisei.

In 1992, he read a newspaper article about the United Nations Conference on Environment and Development in Rio de Janeiro, which described global warming and its influence on Tuvalu.

“I always loved nature, so I was sad to know such a beautiful country may disappear because of global warming,” he said.

Since then, he became deeply concerned about Tuvalu. In 1997, he quit his job because it conflicted with what he really wanted to do, which was to address environmental problems.

Hoping to help Tuvalu, which does not have a strong industry, raise revenues to protect its environment, Endo made a business proposal to the Tuvalu government in 1996, and he made his first trip there in 1998 to enter his bid.

Under the proposal, the Tuvalu government would charge companies, such as television stations, to use the country’s Internet domain name “.tv.”

During that first trip, he visited an uninhabited island with a Tuvaluan friend. While he had brought along two water bottles and a sandwich, his friend had only a hatchet.

“After my friend landed, he climbed up a palm tree and got us a coconut. Then he caught a fish from the sea, steamed it with palm leaves, washed the burned part off in the sea, and gave it to me. It was all simple and delicious.”

The quiet life: Shuichi Endo (left), photographer and representative of NPO Tuvalu Overview, hangs out with a local resident on Niutau Island in September. COURTESY OF SHUICHI ENDO

It was at that moment Endo realized he did not need a lot to enjoy life.

“I was working in a high-rise building in Shinjuku, wearing expensive suits. It was like a TV drama featuring trendy young people, and after the visit to Tuvalu I wondered what meaning there was to such a life.”

Though the Tuvalu government did not adopt his business proposal, Endo continued to care about the island nation.

He has traveled between Tuvalu and Japan numerous times, organizing events and activities to tell people in Japan about global warming and its impact on Tuvalu.

Although the situation for Tuvalu is grave, the people in Endo’s photographs are happy, with big smiles and shining eyes.

“They know how to enjoy life without depending on money,” he said.

Even time does not seem to matter for them.

From August to last month, Endo visited Niutao Island, 20 hours by boat from the main Funafuti Island. He said there is no set timetable for the vessels operating between the two islands, so he just had to wait until one showed up.

“I was lucky I could come back as scheduled,” he laughed. “When Tuvaluans on Niutao Island visit Funafuti, what matters to them is to arrive there, but not what time they arrive.”

It will take him a long time to photograph 10,000 islanders because he spends time with each one to get to know them first.

However, he said he will continue taking their pictures so he can show the Japanese people their simple and happy life coexisting with nature.

“I want more Japanese to realize that just living a life is already a beautiful thing,” he said.

India’s humble rickshaw goes solar.
by Elizabeth Roche Mon Oct 13, 2008.  NEW DELHI (AFP) - It’s been touted as a solution to urban India’s traffic woes, chronic pollution and fossil fuel dependence, as well as an escape from backbreaking human toil. A state-of-the-art, solar powered version of the humble cycle-rickshaw promises to deliver on all this and more.

The “soleckshaw,” unveiled this month in New Delhi, is a motorised cycle rickshaw that can be pedalled normally or run on a 36-volt solar battery.

Developed by the state-run Centre for Scientific and Industrial Research (CSIR), prototypes are receiving a baptism of fire by being road-tested in Old Delhi’s Chandni Chowk area.

One of the city’s oldest and busiest markets, dating back to the Moghul era, Chandni Chowk comprises a byzantine maze of narrow, winding streets, choked with buses, cars, scooters, cyclists and brave pedestrians.

“The most important achievement will be improving the lot of rickshaw drivers,” said Pradip Kumar Sarmah, head of the non-profit Centre for Rural Development.

“It will dignify the job and reduce the labour of pedalling. From rickshaw pullers, they will become rickshaw drivers,” Sarmah said.

India has an estimated eight million cycle-rickshaws.

The makeover includes FM radios and powerpoints for charging mobile phones during rides.

Gone are the flimsy metal and wooden frames that give the regular Delhi rickshaws a tacky, sometimes dubious look.

The “soleckshaw,” which has a top speed of 15 kilometres (9.3 miles) per hour, has a sturdier frame and sprung, foam seats for up to three people.

The fully-charged solar battery will power the rickshaw for 50 to 70 kilometres (30 to 42 miles). Used batteries can be deposited at a centralised solar-powered charging station and replaced for a nominal fee.

If the tests go well, the “soleckshaw” will be a key transport link between sporting venues at the 2010 Commonwealth Games in New Delhi.

“Rickshaws were always environment friendly. Now this gives a totally new image that would be more acceptable to the middle-classes,” said Anumita Roychoudhary of the Delhi-based Centre for Science and Environment.

“Rickshaws have to be seen as a part of the solution for modern traffic woes and pollution. They have never been the problem. The problem is the proliferation of automobiles using fossil fuels,” she said.

Initial public reaction to the “soleckshaw” has been generally favourable, and the rickshaw pullers have few doubts about its benefits.

“Pedalling the rickshaw was very difficult for me,” said Bappa Chatterjee, 25, who migrated to the capital from West Bengal and is one of the 500,000 pullers in Delhi.

“I used to suffer chest pains and shortage of breath going up inclines. This is so much easier.

“Earlier, when people hailed us it was like, ‘Hey you rickshaw puller!’ Police used to harass us, slapping fines even abusing us for what they called wrong parking. Now people look at me with respect,” Chatterjee said.

Mohammed Matin Ansari, another migrant from eastern Bihar state, said the new model offered parity with car, bus and scooter drivers.

“Now we are as good as them,” he said.

Indian authorities have big dreams for the “soleckshaw.”

India’s Science and Technology Minister Kapil Sibal who hailed the invention for its “zero carbon foot print” said it should be used beyond the confines of Delhi.

“Soleckshaws would be ideal for small families visiting the Taj Mahal,” he told AFP.

At present battery-operated buses ferry people to the iconic monument in Agra — but their limited numbers cannot cope with the heavy tourist rush.

CSIR director Sinha said he hoped an advanced version of the “soleckshaw” with a car-like body would become a viable alternative to the “small car” favoured by Indian middle class families.

“Greenhouse gas emissions are showing an increasing trend year on year and 60 percent of this comes from the global transport sector.

“In the age of global warming, the soleckshaw, with improvements, can be successfully developed as competition for all the petrol and diesel run small cars,” Sinha said.

WIP on our website means WORK (WRITING) IN PROGRESS - or simply unfinished article. When finished the WIP will be taken off but the article will stay in place without the UPDATED designation. Nevertheless, theses introductory lines will remain as a reminder that the article had a long birth.

***

The meeting, August 15, 2008 was chaired by the Ambassador For Palau. Present were also the Ambassadors from Nauru and from Fiji. Many other Missions were represented - some of these missions have representatives on the working committee. Involved are also some of the active NGOs.

At present the sponsors of a resolution to be brought before the UN General Assembly are 11 from among the 14 Pacific Small Island Developing States - Fiji, Marshall Islands, The Federated States of Micronesia, Nauru, Palau, Papua New Guinea, Samoa, Solomon Islands, Tonga, Tuvalu, Vanuatu; the Maldives and Seychelles from non-Pacific SIDS; Canada, the Philippines from among larger States. But these 15 States will pick up many more co-sponsors. Mentioned were Turkey, the EU, Austria and Iceland that have expressed their eagerness to join. There is no opposition we were told - but only some hesitation because it is seen as a new approach to the problem of the humanitarian impact of climate change that goes on already - this while in major UN institutions the debate has not led yet to action. The inhabitants of the small islands of the Pacific are the first to lose their habitat - and what we see is the eradication of UN Member States by this predictable catastrophe.

On our website we announced this encounter between the proponents of the resolution and the NGOs:

The “Mostly Mozart” New York City Lincoln Center Summer Festival has become a New York City annual staple. For years it is also connected to the name of the theater director Peter Sellars who would bring in, or create, some special event as part of this festival. Years ago he did this sort of work in Purchase, Westchester County, New York, just outside the city where he staged new insights into Mozart Operas - but since moved these activities to the main location of the city. Jane Moss is the Artistic Director, and to her credit that she pulled in Peter Sellars who here, as in other locations in the world, including Vienna, Austria, has become an acknowledged ferment for creativity. These activities may have only remote connection to Mozart - but he somehow manages to find some link to the culture underneath Mozart’s art. But please, do not look for Mozart’s music in some of these events.

In any case - please remember that this REQUIEM was created by invitation of the 2006 Vienna Celebration of the 250th year Anniversary of Mozart’s Birth and the director for these events was Peter Sellars.

***

This Year, in the summer of 2008, July 29 - August 23, 2008 - “Mostly Mozart came up with two such events. Both, as the vast majority of the Festival’s events are imports:

(a) REQUIEM, an event created in Vienna, that was now seen in New York for two evenings only, Friday August 8th and Saturday August 9th, and a discussion between Peter Sellars and Lemi Ponifasio, the creator, choreographer, and designer of the event on the opening night’s afternoon.

(b) LA PASSION DE SIMONE, that was actually directed by Peter Sellars, and can be attended Wednesday August 13th, Friday August 15th, and Sunday August 17th, with two discussions open to the public on August 13th - a pre-concert discussion with Finnish composer Kaija Saariaho, and August 15th - a post-concert discussion with all those involved in the production. This event is about the personal voyage of Simone Weil with text by the Paris-based Lebanese writer Armin Maalouf. We are happy to be able to note this show here as we hope to create some interest among our readers to go to see this show. We are sorry that we were not able to bring pre-event information in the case of REQUIEM.

Before moving on to REQUIEM I would like to mention that when I looked up on the internet the term “Simone Weil” I found to my astonishment, that the best material is in German, French or Spanish - nothing very enlightening in English. so I decided to post the short biography that on the english Wikipedia is posted in German -

“Simone Weil wuchs in einer großbürgerlichen jüdischen Familie in Paris auf, ihr Bruder André wurde ein berühmter Mathematiker. Am Lycée war sie Schülerin von Alain. Sie studierte an der École Normale Supérieure Philosophie und wurde danach (1931) Mittelschullehrerin in der französischen Provinz.

In diesen Jahren - sie arbeitete eine Zeit lang als Fabrikarbeiterin bei Renault - und bis zu ihrem kurzen Einsatz im Spanischen Bürgerkrieg (wo sie auf der Seite der Anarcho-Syndikalisten in der “Kolonne Durruti” kämpfte) war sie politisch aktiv. Ab 1936 traten für sie religiöse Fragen in den Vordergrund, wobei sie zuvor Atheistin war. Sie näherte sich dem Katholizismus an und ließ sich möglicherweise sogar kurz vor ihrem Tod taufen, nicht offiziell von einem Priester, aber - gültig - von einer Freundin. Von der Taufe im Londoner Krankenzimmer vor der Abreise nach Ashford berichtet zwar 1989 Georges Hourdin in seiner Biographie (Simone Weil) und teilt einen Briefwechsel mit Pater Perrin und Simone Deitz mit, in den Aufzeichnungen Simone Weils, die sie bis kurz vor ihrem Tod weitergeführt hat, findet sich allerdings kein Hinweis. Zeit ihres Lebens litt sie an schwersten, oft unerträglichen Kopfschmerzen.

Wegen der deutschen Besetzung Frankreichs floh sie zunächst nach Marseille, 1942 in die USA und anschließend nach England, wo sie Mitglied des Befreiungskomitees Charles de Gaulles wurde. Sie starb an Magersucht, wobei nicht sicher war, ob sie durch die starken Kopfschmerzen magersüchtig wurde.”

***

First, let me introduce the background material that was handed out at the August 8th discussion:

Lemi Ponifasio (photo Pincas Jawetz)

Peter Sellars (photo Pincas Jawetz)

The August 8, 2008 Lincoln Center discussion (photo Pincas Jawetz)

To show what a large scope this REQUIEM has, as I understood it, I would like to mention that the positions taken by its author when explaining what we will be going to see in his answers to Peter Sellars - in above discussion, served me also in my reporting that day on the opening of the Olympics: http://www.sustainabilitank.info/category/china#6593 In that article I already tackled the essence of the discussion under:

The “Super 8 Friday” - 88888 - Resulted, According to Front Page New York Times The Following Day, In Super-Power News Characteristic to Our Times: In The Old World East Of The Atlantic Russia Moved Further Troops Into Georgia, While West Of The Atlantic Another Top US Politician Revealed That He Cheated On His Wife - In The World of The Future - China Gave A “Dazzling” Coming-Out Party.

Posted on Sustainabilitank.info on August 9th, 2008
by Pincas Jawetz ( PJ at SustainabiliTank.com)

I will add here that like in all art, the real creation in art is in the eye and mind of the viewer. What we see is merely the raw material that creates the vision, feelings , and understanding in our minds. As such - different people will say they saw, or interpreted what they saw, in very different ways. As such, even though Lemi Ponnifasio laid out before us various aspects of what we will watch in his ceremonial approach to life (mind you - he made it clear that the Pacific islanders are not actors and this is not a show) different people will still see in it different things.

In my previous comments in the “China” article I mentioned the standing poles that are there as the center-pieces of a house/home without walls - my friend saw in it at a later stage the symbol of smoke stacks that come with electricity-generation turbines that pollute the air, that creates the loss of the life on these islands, that is therefore the loss of the culture, and it becomes thus the Requiem to a Requiem where the second Requiem in this statement is actually the remembrance of the culture that is gone, so that the Mozartean Requiem is the resurgence of the memory of life.

I saw above in the discussion, but my friend added to it the smoke-stack symbolism that her “American” mind added to his “Samoan” interpretation. Both these things do not appear in other reviews I picked up from the press desk the following day - then again, this does not bother me at all - some of the viewers did still see this as art despite the fact that Lemi Ponifasio is imploring us to accept that this is a ceremonial of life and death - the death of not just individuals - but of whole cultures. Individuals in that culture do not die. They continue to be with us because those cultures transcend the physicality of death. Yes, in China the dead’ ashes may sit in an urn - right there on the mantle-piece, but the islanders have no mantle-piece and do not need the ashes as symbol that the passed-on did not pass away. He is just not seen by the naked eye but is felt - this how the people of Kiribas (Kiribati) feel their old islands even when they live now in New Zealand - the host country that agreed, in gallantry to accept in their midst the climate change/global warming refugees from the sinking islands of the Pacific.

How right are those at the UN who look at the climate change/global warming induced destruction, starting first with the Pacific islands and extending then to the low-lands of countries like Bangladesh, and continuing to cities like New Orleans and Miami Beach, as threats to World Security and Peace. Global Warming refugees will not be accepted easily like in this case where New Zealand stepped in to help.

New Zealand is Aotearoa - the Europeans that came to live in new Zealand found there the Maori who are Pacific Islanders and made a pact with them to live in peace. The New Zealanders of European descent, who since became the large majority in the two main islands of New Zealand, do not mind now to see this immigration of Maori-alike people and the enhancement of this aspect of the islands culture. After all - this is an enrichment that eventually will benefit all - even those that will still try to cling to the memories of the “old country.” People like Ponifasio understand that there is a need to compromise, after all, he takes his ceremonial before paying audiences that regard it as theatre. He will try to educate them by explaining that there is a quantum-jump difference here. But he will compromise nevertheless so his 24 members of his MAU get a way of making a living - even though they will also enhance visions of people ready to see beyond what their eyes trick them to see.

www.SustainabiliTank.info saw in the various slow actions on the stage, birds, fishes, people that have a loss of habitat. Starting with the chest self-pounding of the Maori heroes, we move to see the moaning climate-victims. We watch to the end how the mats on the floor are neatly folded away as the floor of the ground is going under-water. The reality of space is still there - the two pillars that define the space do not tumble down - but simply are renegotiated and the people leave.

This was a fascinating 90 minutes I spent watching that stage and old memories came back to my mind. These were memories of the end of the sixties and seventies when the new off-off Broadway was born. I saw there the staging of Robert Wilson on the life and times of personalities - the likes of Stalin or Sigmund Freud at the Brooklyn Academy of Music (BAM). The very slow dragging action leading to tremendous impacts left behind. I remembered Richard Schechner’s lectures at NYU, and his involvement with the La Mama theater - his talks about Shamanism as the birth of theater. I saw later some of what he was talking about in places like New Zealand, Australia, Turkey, South Africa. I felt like seeing now some of these real things - right here in New York - and low and behold - it was about effects of global warming - I hope I was able to convey some of it in this posting.

One comment about Richard Schechner that I must add here - this because I learned this fact only after posting the China Olympics piece: “In March 2005, the Richard Schechner Center for Performance Studies was inaugurated as part of the Shanghai Theatre Academy, where Schechner is an Honorary Professor. With The Performance Group, Schechner directed many productions including “Dionysus in 69″ based on Euripides’ The Bacchae (1968 production)”

The second half of this relates obviously to the “Bacchae” which was the first piece of the Lincoln Center Summer festival 2008 that we posted on www.SustainabiliTank.info. I hope that someone from our theatre-art intelligentsia could do a comparison between that 1968 production and the 2008 production. Then it was about the shamanic aspect in the Bacchae celebration - now we end up seeing a late women-liberation and self-destruction aspect. To put it nicely - Schechner had then his feet more solidly on the ground and the years since did not serve us well.

Coincidentally, I started to read yesterday morning a new book by Dmitry Orlov titled - “Reinventing Collapse.” The book was released by New Society Publishers www.newsociety.com and was sent to me by Perseus Distribution of Jackson Tennessee.

Dmitry Orlov was born and grew up in Leningrad, and came first to the US in 1985 and after 10 years started going back and forth so he says - hehasbecome a witness to the changes in Russia.

Orlow is an engineer who worked in high-energy Physics and in Internet Security. He came under our cross-hairs when it turned out that he is also a leading Peak Oil theorist. But this is not why I am mentioning him today. The reason is much deeper then that.

Dmitry Orlov writes that when he came back to the US in 1996, after a longer stay in Russia where he just got married, but also said that at the time he started to understand the reasons why the Soviet Union collapsed - and horror - he started to see that the US had already at that time all the symptoms of the same disease that did in the Soviet Union. He writes that he came back with his wife to make for themselves a new life in the US, but he also started to write about his insights that made him see that the second shoe will drop eventually - that is the US after the Soviet Union - two very different States - but nevertheless two States with similar destinies because they suffer from very similar malaise.

His description of the ingredients of a super-power collapse are as follows: (a) A severe and chronic shortfall in the production of crude oil; (b) A severe and worsening trade deficit, (c) A runaway military budget and (d) Ballooning foreign debt. When such a soup starts boiling, then “the heat and agitation” are provided by (e) a fear of a humiliating military defeat, and (f) wide spread fear of a looming catastrophe.

He looks then at all of those ingredients that existed in the Soviet collapse - that was an internal collapse - an implosion I would say. He laughs at the thought that it was caused by outside influences, stemming from the actions of the US, except for the fact that the Soviets fell for the arms race of the “star-wars” competition that caused them further exhaustion. On the other hand, he sees all these ingredients in the present state of the US, and he watched these aspects grow during the last decade.

Orlov looks at Chernobyl as the backdrop of catastrophe that sent off the Soviet Union, and sees the need of oil in order to grow food in the US - at the tune of ten calories of fossil fuels to produce one calorie of food - this, and runaway foreign foreign debt, leading to the decrease in credibility of US monetary instruments - killer hurricanes and global climate upheaval - become the US fear of catastrophe. The eventual reason for the drop of the second shoe.

I only mention here these morning thoughts - I will be getting back to this book later and write a book review. Now I intend to touch on another incomplete activity I found myself involved in yesterday.

***

This was a “Pre-Concert Discussion” of the “Mostly Mozart” Lincoln Center Festival presentation of “REQUIEM.” Yesterday was the US premiere, but I will be seeing the show only tonight. All what I did was to sit in at the discussion between the Festival’s Director Peter Sellars, and Lemi Ponifasio, a Samoan living in Auckland, New Zealand, who is the Director/Choreographer/Designer of this Requiem.

Again, this writing of mine is a half backed attempt, and not yet a finished review of the show. This will come later. But now what I want to say here is that all such words as “Director,” “Choreographer,” “Designer,” “Show,”"Review,” were actually knocked out of my head last evening, because I realized that we really are totally incapable of understanding the mind of those that do not think like us. Interesting, Peter Sellars, remarked in a even larger context - “in our age - the commentator on the Op-Ed page presumes to understand everything - we will see that it is not as simple as that.”

My mention of Orlov’s look at history showed me how trite it is to think that the US led to the collapse of the Soviet Union, and that the US is safe because it thinks of itself as a democracy. Now, Lemi, and the movement of MAU in Samoa, and his troupe, that adopted the MAU name for their collective, are really no actors at all, according to how they see themselves. In effect they will be involved in CEREMONIES that come to them naturally - something that is not just a CELEBRATION - and this requiem is not a memorial for the dead - this because they are not dead at all - they are here with them - so it is as if there were a communal living with these unseen members of the community present. We will look in a future review at this as a “Requiem to Requiem” where the idea of a Requiem, in the second time it is mentioned in this comment, becomes sort of a synonim to culture, life, an island, an environment. Then the first mention of Requiem in the remark is the more accepted meaning. MAU is the name of the Samoan independence movement that took on the Germans, French, Dutch, and British. The meaning is Vision or Revolution. The activities of the MAU troupe serve “to energize dialogue and revive local oriented histories, arts, thought, languages, and narratives that have been silenced or excluded.”

In those Pacific Islands a house is not a home where you close in your belongings like in a storage - their concept is that this is a space for life and all are invited. There is always a standing pole in their culture - this pole gives you sort of a vertical feel of space and you and all your ancestors reside there. We will see that eventually this home without walls becomes the whole island and its sufferings.

To be true to our www.SustainabiliTank.info website, I will add that Lemi and Peter also touched on the problems of global warming that threaten the demise of cultures like Kiribas (Kiribati). So, will we someday have to try our own hand at this kind of Requiem when remembering the independent indigenous cultures of these Small Islands Independent States of today - the SIDS of the Pacific?

This is the extent of how far I am ready to go here.

***

Now, with the above two snippets, in my head, let me say that I sat down before my TV set to watch the NBC, Channel 4, reporting from Beijing, that was handled by NBC as if it was just an excuse to sell us ExxonMobil trying to sell us that they take on “the largest energy challenges of the World.” I was amazed when after that an NBC journalist actually added “while you watched the advertisements China advanced several hundred years in its history.” I hope they will not fire him for this remark.

GE spoke of biogas technology and that was fine, but Chevy Silver was trying to impress us with their miserable 20 mpg technology. Oh! Yes - we also saw John McCain bashing Obama in the campaign well paid advertisement - and we thought that at least this night we can forget about the US Presidential non-debate.

This Chinese Coming-Out event was all about HARMONY. We watched the Tai-Chi performers and were told of Harmony between Man & Nature as the only chance for Sustainable Development for China and the rest of the World for next generation - and we said AMEN. When this is resolved there will be prosperity and environmentalism.

You do not have to be naive and embrace China’s government, or take for granted the smiles on the faces of all the participating dancers and musicians. It was too uniform and large to be taken at face value - but there was enough there to say that it was an honest attempt to say - look - we suffered in our history from what others did to us - but we are a sleeping giant that is now showing - yes - we can and we will.

China showed us that they are much closer to the MAU mentality now then they are to their previous MAO mentality. Yes, the legions of dancers and musicians were militarily trained. Their performance perfect, thus in some way threatening, but the content of their show was so we appreciate what they have given to the world - ink and paper for those believing in the needs of the press, and the compass for those in search of direction. Navigation is the means of communication with the great world, and they had their own naval chiefs of the caliber of a Christopher Columbus.

These performers did not hate us - they CELEBRATED their return to the world stage, and this was their CEREMONY. After this show, China and us will never be the same. Just think of the fact that they reminded us that there were days China had the highest GNP in the world. We saw some of their ghosts, and we saw some of our ghosts. We saw Confucius, and yes, we remembered how it was members of the Atlantic community that committed them to opium enslavement. It was not said - but I knew it was somewhere there in that huge mat, center stage, on the floor of the stadium.

Money is no problem, they bought the best architectural minds to work with their own best, and created the greatest venue for a global event. Pity that parts of the show were missed by us because of the commercialism of US TV world.

We saw how some foreign leaders, like Putin, that did not smile, President Bush looked at his watch, we wondered why President Peres of Israel, who is secular, had to make the gesture of going on foot back to his hotel because of the Sabbath, but then these were not China’s problems that day.

OK, now, I finished the Friday events. On Saturday morning I rushed to pickup the papers.

The opening of the Olympics was really not the main set of news. That debatable honor went to Russia’s attack inside Georgia, and to the John Edwards attack on the US political system by having endangered the Democratic Party’s chances for meaningful change in Washington.

I really have little to say about Edward’s male infidelity - that should have been left to be solved between him and his wife, but we know that this is not US reality. Such events can sink the US, as it happened in the Bill Clinton days. Clinton’s Presidency was decreased in potency, to the detriment of the American Nation, by some self appointed ethical judges who, as we know by now, some of them had much worse transgressions in their closets. What the US does not have is that vertical space the man from Samoa was talking about. There is no ceremonial thinking in our system - only raw hunt after the culprit who may have sinned much less then we did. And when the US is in decline, while China is on the rise - now we have things to think about - not so? And don’t forget - China holds the strings to the US treasury and Orlov made his unforgivable observations.

As for the second news of the day - Putin moving on Georgia - that is tough for the Georgians but again, Putin is back in the oil-saddle and is flush with money too. In effect, we believe that he came to Beijing not as a teacher, but now he comes to Beijing as a student. He has learned from the Chinese that if you put your economy in better shape, outsiders and your own people as well, will criticize you less on human rights and other transgressions. He did not smile on TV, and he knows what his intent is now.

So, what does Dmitry Orlov think of the opening of the Olympics and the near certainty that China will take over the Super-power manttle after the drop of what he described as the second shoe?

Then, to remind us that change may not be as smooth as some may hope for, two American Olympic tourists were just stabbed while visiting the Drum Tower in the center of Beijing - reasons yet unknown.

***