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Posted on on January 24th, 2016
by Pincas Jawetz (

This present posting was conceived as a sequel to our posting that pointed out the Vienna Burgtheater as a provider of “Theatre for Ideas” events. That posting was titled:

The TTIP is flushed out – January 17, 2016 – in a great panel at the Burgtheater, Vienna. It seems that the present differences between US and EU make a legislature-overriding agreement impossible.

Posted on on January 19th, 2016
by Pincas Jawetz ( PJ at

January 24, 2016 I had the opportunity to listen in on the interview of theater director Andrea Berth by Ms. Haide Tenner of the Burgtheater. The event took place in the smaller hall – the Casinotheater on Schwarzenberg Platz. The title was: “What is Theater?” and the pre-event publicity was saying it was about language. So I got interested.

Andrea Breth is a large-size woman – a chain-smoker that gives the impression of a Midwest cowboy. But inside this large body it was clear that resides a sensitive and self deprecating woman. Her breakthrough in the theater came in 1983 with the Freiburg City Theater where she staged Federico García Lorca’s “The House of Bernarda Alba.” This staging brought her an invitation to the Berlin Theater Conference and the Theater Magazine “Theater” nominated her as best Theater Director of the Year. Many rewards followed. This year she got the German Republic Cross of Merritt and the Schiller prize of the City of Marbach (Schiller’s birthplace). Since 1999 she is also home-director for the Vienna Burgtheater and did stagings for the Salzburg Festival.

Indeed she says theater is about language but she enlarges o the meaning of language. What is important is for te actors to relate to te text. A movement of the foot becomes language. The actor has to develop by himself his method – there is not one for all she said. Nevertheless, a text by Tennessee Williams can not be worked out in a different way from how it was intended. She does not want to bend her actors – she want them rather to be themselves and brought in the example of Michael Kramer who she knew his father was a large orchestra conductor – so she had Michael work with big groups.

Her direction is not for the public but for te piece – the original work. I am retelling it and ten comes the public.

The interviewer proposes that a person changes according to whom they speak with. The director answers there must be something above this which she demonstrates with a large movement of her whole arm.

The interviewer insists – one more topic – language: There always is less information available.



This is next topic at the “DEBATING EUROPE” Theatre for Ideas exercise and thresh-out.

This time under the moderation of Der Standard Editor Alexandra Foederl-Schmid personally – the panel will include:

Kinga Goencz – a former Foreign Minister of Hungary;

Rebecca Harms – Fraction Chair of the Greens in the European Parliament;

Giorgos Chondros – Member of the Central Committee of the Greek Governing Syriza Party;

Peter Keller – Swiss Journalist and Politician with the Swiss Peoples’ Party;

Adam Krzeminski – Polish Journalist and Publicist.

The Discussion will take place February 14, 2016 at 11:00 at the Burgtheater in vienna, UNIVERSITAETSRING 2, 1010 VIENNA.

This will be a debate about the Democratic model of Government at a time that in Europe new authoritarian structures are being created, and protest movements like Syriza, Podemos, Pegida are taking roots as well. It seems as if we are entering a POST-DEMOCRACY age. Politologues point out that he participation at elections is in retreat.


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