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Posted on Sustainabilitank.info on September 30th, 2014
by Pincas Jawetz (pj@sustainabilitank.info)

We knew Hank as a friend and tennis partner of Ernie Schneider who was the editor of the writings of Mr. Herman Kahn of the Hudson Institute (the Herman on the Hudson). We met Hank at the house of Suzy and Ernie Schneider. Suzy who was a daughter to a honored Austrian family was a colleague of my wife at the Austrian Consulate General in New York City and the Schneiders and Laventhols lived in Croton on the Hudson.

Hank liked to talk politics but professionally was rather a relaxed painter who liked classic music and jazz. We praised his work, and for disclosure I must say that we are proud of one of his piano/Chopin prints that hangs in our Vienna living room next to a New Orleans Jazz scene done by our son Gil.

When I first wrote the review I wanted to make reference to Hank’s whole range of work and realized that some of the reviews of his work were under a wrong spelling of his name that used the letter “a” instead of the “o” in Laventhol. I did not think that he should suffer from that seemingly widespread mistake and mentioned this other spelling as well. It turns out that Ms. Laventhol is upset with this alternate spelling – so I am taking it of my posting but have no power over all those other articles one finds on the internet.

Also, and this is more substantial, I was not careful in giving credits to the source of the material I quoted in that first posting. Now let me add here that probably all the photos of the paintings by Hank Laventhol were taken by his wife – Josay Laventhol. Probably much of the data about him was also taken from biography written by his wife, though I am sure I peppered it with material from some of the other reviews as well. Sorry if all of this has hurt feelings of the family.


THE FOLLOWING IS PART OF OUR ORIGINAL REVIEW OF DECEMBER 26, 2011.

HANK  LAVENTHOL  

Birth name     Henry Lee Laventhol

Born               21 December 1927

Philadelphia, Pennsylvania, USA

Died               21 February 2001

Somers, New York

Field              painting, graphics, sculpture,

photography

Movement     neosurrealism

Laventhol’s mysteriously romantic  landscapes and  multiple  images evoke dream states and double meanings.” Pictures on Exhibit. N.Y.C.

shell wars, oil on linen, 20”X26”        Image 1

Hank Laventhol, an American painter,   made his early career in Europe. Born in Philadelphia, Pennsylvania, Laventhol graduated Yale University with a B.A. in Fine Arts and did post graduate studies at Columbia University. At age 32 he left his business life in New York City for Europe to pursue his early vocation and life long interest in art. He studied at the Academy of Fine Art in Florence, Italy and eventually spent ten years in Europe, making his home in Mallorca, Spain. He had four solo shows in London and exhibited in  major cities in Western Europe.  He returned to the United States for good in 1970, settling in Westchester County, New York, with his  Dutch born wife.

Trained as a sculptor he  worked in many other media, including painting, print making, drawing and photography.  He said “ they all mesh for me.” Laventhol painted on wooden panels prepared with gesso using the ancient egg tempera technique until he towed an American couple  in a failing rental car to a garage outside Madrid.  In gratitude, they sent him a roll of Belgian linen which started him painting on canvas using oil and acrylics.

He was a master printer,  specializing in multi plate color etchings and aquatints, a demanding and precise process that provided him with a variety of color and texture, unrivaled by any other etching technique. He owned two Wright presses and pulled his own limited edition  prints. Publishers include Associated American Artists,  New York Graphic Society, Original Print Collectors Group Ltd., Georges Visat, Paris, and Pierre Chave, Vence, France.  Laventhol was a guest lecturer at Pratt Graphic Center, New York City and wrote articles about print making,   specializing in how to achieve perfect register in multiple color aquatint.

In the United States, his work was seen at four solo shows in New York City as well as  one man and group  shows across America.

Laventhol’s work is in corporate and private collections, museums and libraries, including the National Gallery of Art, Washington, D.C., the Yale University Museum, the New York Public Library Print Collection, the Free Library of Philadelphia and the Bibliotèque Nationale,  Paris, France.  Laventhol has been listed in Benezit, the definitive international  Directory of Artists.

Published illustrated portfolios include: “Le Miroir Aux Alouettes” by Georges Visat, Paris, with six color aquatint etchings and a poem by Andre Serini. Later porfolios include “Les Crises” and “Eyedeas.”

Eggs, eyes, roses, and flying torsos were recurring themes. Some critics considered him a surrealist. Laventhol, however, preferred to think of his work as dealing with fantasy realism.

* * *

Hank Laventhol, a gregarious,  kind man with a fine, broad mind  enjoyed life to the fullest. Besides being a disciplined, hard worker he had a wide array of interests and hobbies. His art was his passion, but he rarely started a day without an early game of tennis. He was an eclectic music lover and an opera and chamber music buff.  It was hilarious to hear him sing along with all the voices while listening to an opera as he worked. He was well versed in American folk music and loved playing  his classical  guitar  –  not well,  he admitted. During the 1960s he sought out small locales all over Europe to tape indigenous music – Flamenco in Spain, Fado in Portugal, Stornelli in Italy and jazz in Northern Europe – using a huge reel to reel recorder.  Mexican and South American indigenous music  was another interest added to his music  collection .

He spoke fluent Spanish and Italian and said he knew enough French,  Dutch and German  to defend himself. Whatever the topic, he communicated. His sense of humor got him past being embarrassed. An adventurous traveler with an infallible sense of direction, Laventhol met his Dutch born wife over a chessboard in Mallorca, Spain, and was kind enough to let her win a few times during the ensuing 40 years. An imaginative chef, he made up his own multi cultural recipes. Stuffed trout was served with the head on. Asian wok-cooked food was a treat. Dill, unavailable in Mallorca, was imported from the U.S. to pickle a fresh crop of cucumbers in large clay pots placed around his Mallorca rental house.  When  they started fizzing,  it was time to serve them to his  “expat” friends, together with his amazingly good  baked beans. He used a wood chip smoker to prepare  fish and fowl and made his own gravlax and seviche. He said eating Dutch New Herring in the Netherlands was a life altering experience.

Frugal artistic life never held his ingenious imagination back. Any potential problem or road block was dealt with and solutions found. The Mallorcan car mechanic built an hibachi that was carried from his tiny fishing boat, which he called,  a “one lunger”, to friends’ houses. The same mechanic fabricated a roof rack for a convertible VW beetle  to carry paintings to art shows. Laventhol’s talents  converted what he saw as poetry into striking atmospheric work with a touch of the mystical.

* * *

1991                                                                       1992 – self portrait
hand /eye wind mill
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